ByronNorthcote House, 2000 - 86 ページ After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... Night . Ah , me ! in sooth he was a shameless wight , Sore given to revel and ungodly glee ; Few earthly things found favour in his sight Save concubines and carnal companie And flaunting wassailers of high and low degree ( CHI.2 ) The ...
... night , modulates to a balance of light and dark , and in the last line re - turns to value night as superior to day . Stanza 2 first emphasizes a rigorous balance ( with a repetition of that defining ' one ' we have seen before in the ...
... night - beam Sorrow watcheth to behold , Distinct , but distant - clear - but , oh how cold ! The last line is a masterpiece in which the centre is hollowed out , the circular structure of the line enveloping an 24 BYRON.