ByronNorthcote House, 2000 - 86 ページ After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... poem owes something to Gray's The Bard , but the quality of resistance offered is Romantic rather than classical , active rather than passive . In this it is to be contrasted with Shelley's Prometheus Unbound , written by Byron's friend ...
... poem's political colouring into a more metaphysical hue . Even the biographical poems of the period are not uniformly direct in their engagement with life . The ' Stanzas to [ Augusta ] ' follow a Romantic literary pattern which is ...
... poem's self - reflexiveness can make it seem very proto - postmodernist , and in many ways this is fair , so long as one is clear about one's understanding of postmodernism . Byron's poem is not merely ludic . Perhaps the most obvious ...