ByronNorthcote House, 2000 - 86 ページ After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... significant shorter poems , including Prometheus and The Prisoner of Chillon . He did not of course know that he would never return to England , but nevertheless he sensed that his departure marked a clear end to something . Alongside ...
... significant shift in Western sensibility ( because of this Byron is , for example , the only poet to have a chapter to himself in Russell's History of Western Philosophy ) . From the outset , unlike the previous cantos , Childe Harold ...
... significant number of Byron's own significant women Augusta , Annabella , Ada , Allegra ) . It is as if the diffuse contrast between Julia and Haidée was now being concentrated in the 62 BYRON.