ByronNorthcote House, 2000 - 86 ページ After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... summer of 1816 in Switzerland , based at Cologny on Lake Geneva , in a house known as the Villa Diodati . He also spent some weeks touring in the Bernese Alps . Intensely influenced by his surroundings , it was over this period that he ...
... summer of 1816 was the end of the beginning . This late summer of 1817 is the beginning of his new life . The seal was set when in December he received news that Newstead Abbey was finally sold . - Early in 1818 Byron rented the Palazzo ...
... summer of 1817 , but by the time the canto was ' finished ' on 7 January 1818 , Byron was within twelve days of sending Beppo ( begun in October 1817 ) to his publisher . The ' ottava rima ' period had begun . BEPPO The story - line of ...