Shakespeare, Julius CaesarEdward Arnold, 1976 - 63 ページ |
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33 ページ
... Antony who makes sure ( for his own reasons ) that this will indeed be the consequences of the murder . The entry of Antony himself is followed at once by his grief - stricken address to Caesar's body . Antony is a manipulator and ...
... Antony who makes sure ( for his own reasons ) that this will indeed be the consequences of the murder . The entry of Antony himself is followed at once by his grief - stricken address to Caesar's body . Antony is a manipulator and ...
35 ページ
... Antony is allowed to speak over the body . For a moment Antony is left alone with the corpse on the stage to reveal his real feelings in a speech full of grief , bitterness and prophecy of direct revenge . The scene ends with Antony ...
... Antony is allowed to speak over the body . For a moment Antony is left alone with the corpse on the stage to reveal his real feelings in a speech full of grief , bitterness and prophecy of direct revenge . The scene ends with Antony ...
42 ページ
... Antony's oratory . It is also , if less directly , a critical parody of the logic which Brutus used to persuade himself and then others of the need to murder Caesar . A member of the crowd , after hearing Cinna protest that he is Cinna ...
... Antony's oratory . It is also , if less directly , a critical parody of the logic which Brutus used to persuade himself and then others of the need to murder Caesar . A member of the crowd , after hearing Cinna protest that he is Cinna ...
多く使われている語句
abstract admirable already ambitious anger Antony Antony's speech audience battle blood Brutus and Cassius Brutus replies Brutus's speech cadence Caesar's body Caesar's murder Caius Calphurnia Casca Cassius's character Cinna conspiracy conspirators crowd D. H. Lawrence David Daiches dead Decius effect elegiac fact feeling Flavius friendship genuine gesture goes grief heart human idealism ides of March James Joyce join judgement Julius Caesar kill Caesar kind language Lepidus logic manipulator Mark Antony Marullus moral motives moved murder Caesar murder of Caesar Nervii noble Octavius Octavius's passions Philippi play Plutarch political Pompey Pompey's Portia provokes quarrel question reason reproaches Richard III ritual Roman Rome says scene senseless things servile fearfulness Shakespeare Shakespeare's stage shows soldier soothsayer speak spirit of Caesar stage auditors suggests takes talk tell thee third person thou Titinius tone tragedy Trebonius turns view of Caesar voice words wrong