Shakespeare, Julius CaesarEdward Arnold, 1976 - 63 ページ |
この書籍内から
検索結果1-3 / 9
12 ページ
... hear his voice . ( It is important to remember that in Shakespeare's theatre there was no break between scenes : the stage empties with the departure of Flavius and Marullus , and almost immediately afterwards Caesar and his train enter ...
... hear his voice . ( It is important to remember that in Shakespeare's theatre there was no break between scenes : the stage empties with the departure of Flavius and Marullus , and almost immediately afterwards Caesar and his train enter ...
13 ページ
... hear a tongue shriller than all the music Cry ' Caesar ! ' Speak . Caesar is turned to hear . He speaks of himself in the third person- -a habit we are to see more of . The soothsayer tells him to beware the ides of March , and he ...
... hear a tongue shriller than all the music Cry ' Caesar ! ' Speak . Caesar is turned to hear . He speaks of himself in the third person- -a habit we are to see more of . The soothsayer tells him to beware the ides of March , and he ...
19 ページ
... hear Antony's opinion of Cassius . Yet his exit with his train is at the same time ceremonial : ' Sennet . Exeunt Caesar and his Train ' reads the Folio stage direction . ( A sennet is a set of notes on the trumpet , used for ceremonial ...
... hear Antony's opinion of Cassius . Yet his exit with his train is at the same time ceremonial : ' Sennet . Exeunt Caesar and his Train ' reads the Folio stage direction . ( A sennet is a set of notes on the trumpet , used for ceremonial ...
多く使われている語句
abstract admirable already ambitious anger Antony Antony's speech audience battle blood Brutus and Cassius Brutus replies Brutus's speech cadence Caesar's body Caesar's murder Caius Calphurnia Casca Cassius's character Cinna conspiracy conspirators crowd D. H. Lawrence David Daiches dead Decius effect elegiac fact feeling Flavius friendship genuine gesture goes grief heart human idealism ides of March James Joyce join judgement Julius Caesar kill Caesar kind language Lepidus logic manipulator Mark Antony Marullus moral motives moved murder Caesar murder of Caesar Nervii noble Octavius Octavius's passions Philippi play Plutarch political Pompey Pompey's Portia provokes quarrel question reason reproaches Richard III ritual Roman Rome says scene senseless things servile fearfulness Shakespeare Shakespeare's stage shows soldier soothsayer speak spirit of Caesar stage auditors suggests takes talk tell thee third person thou Titinius tone tragedy Trebonius turns view of Caesar voice words wrong