Shakespeare, Julius CaesarEdward Arnold, 1976 - 63 ページ |
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... voice . ( It is important to remember that in Shakespeare's theatre there was no break between scenes : the stage empties with the departure of Flavius and Marullus , and almost immediately afterwards Caesar and his train enter . ) We ...
... voice . ( It is important to remember that in Shakespeare's theatre there was no break between scenes : the stage empties with the departure of Flavius and Marullus , and almost immediately afterwards Caesar and his train enter . ) We ...
32 ページ
... voice of the skilled manipulator , the voice of Antony , who , unlike Brutus , knows both himself and others and , unlike Cassius , knows how to conceal his feelings and bide his time . Brutus , a simpleton beside the subtle Antony ...
... voice of the skilled manipulator , the voice of Antony , who , unlike Brutus , knows both himself and others and , unlike Cassius , knows how to conceal his feelings and bide his time . Brutus , a simpleton beside the subtle Antony ...
33 ページ
... voice , all suggest spontaneity . But when he turns from addressing the body to addressing the conspirators the tone is cool and carefully calculated : I know not , gentlemen , what you intend , Who else must be let blood , who else is ...
... voice , all suggest spontaneity . But when he turns from addressing the body to addressing the conspirators the tone is cool and carefully calculated : I know not , gentlemen , what you intend , Who else must be let blood , who else is ...
多く使われている語句
abstract admirable already ambitious anger Antony Antony's speech audience battle blood Brutus and Cassius Brutus replies Brutus's speech cadence Caesar's body Caesar's murder Caius Calphurnia Casca Cassius's character Cinna conspiracy conspirators crowd D. H. Lawrence David Daiches dead Decius effect elegiac fact feeling Flavius friendship genuine gesture goes grief heart human idealism ides of March James Joyce join judgement Julius Caesar kill Caesar kind language Lepidus logic manipulator Mark Antony Marullus moral motives moved murder Caesar murder of Caesar Nervii noble Octavius Octavius's passions Philippi play Plutarch political Pompey Pompey's Portia provokes quarrel question reason reproaches Richard III ritual Roman Rome says scene senseless things servile fearfulness Shakespeare Shakespeare's stage shows soldier soothsayer speak spirit of Caesar stage auditors suggests takes talk tell thee third person thou Titinius tone tragedy Trebonius turns view of Caesar voice words wrong