Shakespeare's Theatre: A Dictionary of His Stage ContextBloomsbury Academic, 2002 - 570 ページ Shakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters. |
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144 ページ
... say of the missing Bottom in the role of Pyramus : ' You have not a man in all Athens able to discharge Pyramus but he ' ( Dream , 4.2.7-8 ) . The implication is of meeting a challenge or completing an obligation : Ferdinand says of his ...
... say of the missing Bottom in the role of Pyramus : ' You have not a man in all Athens able to discharge Pyramus but he ' ( Dream , 4.2.7-8 ) . The implication is of meeting a challenge or completing an obligation : Ferdinand says of his ...
367 ページ
... says she will smear the sleeping attendants with Duncan's blood , seen on the daggers used to stab the king : ' I'll gild the faces of the grooms withal , For it must seem their guilt ' ( 2.2.53–4 ) . Often these double meanings contain ...
... says she will smear the sleeping attendants with Duncan's blood , seen on the daggers used to stab the king : ' I'll gild the faces of the grooms withal , For it must seem their guilt ' ( 2.2.53–4 ) . Often these double meanings contain ...
494 ページ
... says : ' Fortune , good night : smile once more ; turn thy wheel ' ( 2.2.173 ) ; later , after rising from a social outcast to an army general , the ruined and dying Edmund says , ' The wheel is come full circle , I am here ' ( 5.3.175 ) ...
... says : ' Fortune , good night : smile once more ; turn thy wheel ' ( 2.2.173 ) ; later , after rising from a social outcast to an army general , the ruined and dying Edmund says , ' The wheel is come full circle , I am here ' ( 5.3.175 ) ...
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Admiral's Men Alan allusions Andrew Gurr Antony appears audience boy actors Burbage Caesar characters classical Comedy contemporary costumes court Cymbeline dance Dictionary of Stage disguise dramatist Dream Duke E. K. Chambers Earl edition effects Elizabeth Elizabethan stage Elizabethan theatre England English Renaissance entry Falstaff figures Folio fools gallery Globe Playhouse Globe Theatre Hamlet Henry IV Henry VI Henry VIII Henslowe's history plays illustrated imagery indicates Italian John Jonson Katherine King King's King's Men Kinsmen Lady later Lear London Lord Love's Labour's Macbeth marriage medieval Merry Wives modern on-stage Othello Oxford performance Pericles Prince professional Puritans quarto Queen Renaissance Drama rhetorical Richard Burbage Richard III Richard of Gloucester Richmond roles Romeo scenes sexual Shake Shakespeare's company Shakespeare's plays Shrew significant Sonnets speare's Stage Directions studies Tempest texts theatrical Thomas thou traditional tragedy Troilus Tudor Twelfth Night University Press verse Winter's Tale women word