Shakespeare's Mercutio: His History and DramaUniversity of North Carolina Press, 1988 - 281 ページ In this impressive study, Joseph Porter traces the figure of Mercury from classical, medieval, and Renaissance literary and pictorial representations to his emergence as the character of Mercutio in Shakespeare's Romeo and Juliet. Porter grounds his analysis of Mercutio in a historical and cultural context and examines the transformation of Mercutio's character in criticism and performance from the Renaissance to the present. Exploring the playwright's goals and strategies in the development of this short-lived but important character, Porter reveals an abundance of information that helps us understand Shakespeare's creative processes in the context of Renaissance culture. He addresses a large body of critical commentary and examines a number of issues, including Mercutio's implications for the history of sexuality and gender, and the concept of the dramatic character itself in contemporary criticism. Porter also investigates such issues of interest in Shakespeare study as intertextuality, historicity, femininism, phallocentrism, literary proprietorship, and cultural containment and subversion. This work brings a unified manifold of contemporary critical instruments to bear on the character of Mercutio. In doing so, Porter introduces a new discipline -- a poststructuralist literary characterology -- for the twenty-first century. |
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... become , and how , and why ? Such are the sorts of ques- tions the remainder of this study attempts to answer . And as with Valentine , so the more with Mercutio : throughout , I assume that the answers I propose must be at once ...
... become , and how , and why ? Such are the sorts of ques- tions the remainder of this study attempts to answer . And as with Valentine , so the more with Mercutio : throughout , I assume that the answers I propose must be at once ...
119 ページ
... become cen- tral , the god of the wild border region has become god of the agora . The Historical Moment THESE matters of eloquence and liminality , of locution and loca- tion , ramify massively in Shakespeare's 1595 London . Here , as ...
... become cen- tral , the god of the wild border region has become god of the agora . The Historical Moment THESE matters of eloquence and liminality , of locution and loca- tion , ramify massively in Shakespeare's 1595 London . Here , as ...
180 ページ
... become a mere protest against the fact of the feud , a protest of a sort Romeo ( though never Mercutio ) has earlier given utterance to , or it could become a kind of stiff - upper - lip affectionate mock insult . But the malediction ...
... become a mere protest against the fact of the feud , a protest of a sort Romeo ( though never Mercutio ) has earlier given utterance to , or it could become a kind of stiff - upper - lip affectionate mock insult . But the malediction ...
目次
SHAKESPEARES MERCURY II | 11 |
Renaissance Pictures with Text | 43 |
SHAKESPEARES MERCUTIO | 95 |
著作権 | |
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