Shakespeare's Mercutio: His History and DramaUniversity of North Carolina Press, 1988 - 281 ページ In this impressive study, Joseph Porter traces the figure of Mercury from classical, medieval, and Renaissance literary and pictorial representations to his emergence as the character of Mercutio in Shakespeare's Romeo and Juliet. Porter grounds his analysis of Mercutio in a historical and cultural context and examines the transformation of Mercutio's character in criticism and performance from the Renaissance to the present. Exploring the playwright's goals and strategies in the development of this short-lived but important character, Porter reveals an abundance of information that helps us understand Shakespeare's creative processes in the context of Renaissance culture. He addresses a large body of critical commentary and examines a number of issues, including Mercutio's implications for the history of sexuality and gender, and the concept of the dramatic character itself in contemporary criticism. Porter also investigates such issues of interest in Shakespeare study as intertextuality, historicity, femininism, phallocentrism, literary proprietorship, and cultural containment and subversion. This work brings a unified manifold of contemporary critical instruments to bear on the character of Mercutio. In doing so, Porter introduces a new discipline -- a poststructuralist literary characterology -- for the twenty-first century. |
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137 ページ
... fact that while he associates with Romeo and Benvolio as a peer in the lim- inal bond , at the same time he speaks and acts with authority greater than theirs , and he is the Prince's kinsman . The ambiguity of Mercutio's age is ...
... fact that while he associates with Romeo and Benvolio as a peer in the lim- inal bond , at the same time he speaks and acts with authority greater than theirs , and he is the Prince's kinsman . The ambiguity of Mercutio's age is ...
183 ページ
... fact that , because of another of David's defining characteristics of the art of the theater , its ephemerality , the stage Mercutios treated here are the least immediate of all those considered in this study inas- much as none of the ...
... fact that , because of another of David's defining characteristics of the art of the theater , its ephemerality , the stage Mercutios treated here are the least immediate of all those considered in this study inas- much as none of the ...
201 ページ
... fact that the narrator generally has an existence independent of the characters presented , in performed drama an absolute linkage between character and mediating per- former makes the performance so interventionist as to seem consti ...
... fact that the narrator generally has an existence independent of the characters presented , in performed drama an absolute linkage between character and mediating per- former makes the performance so interventionist as to seem consti ...
目次
SHAKESPEARES MERCURY II | 11 |
Renaissance Pictures with Text | 43 |
SHAKESPEARES MERCUTIO | 95 |
著作権 | |
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