Shakespeare's Mercutio: His History and DramaUniversity of North Carolina Press, 1988 - 281 ページ In this impressive study, Joseph Porter traces the figure of Mercury from classical, medieval, and Renaissance literary and pictorial representations to his emergence as the character of Mercutio in Shakespeare's Romeo and Juliet. Porter grounds his analysis of Mercutio in a historical and cultural context and examines the transformation of Mercutio's character in criticism and performance from the Renaissance to the present. Exploring the playwright's goals and strategies in the development of this short-lived but important character, Porter reveals an abundance of information that helps us understand Shakespeare's creative processes in the context of Renaissance culture. He addresses a large body of critical commentary and examines a number of issues, including Mercutio's implications for the history of sexuality and gender, and the concept of the dramatic character itself in contemporary criticism. Porter also investigates such issues of interest in Shakespeare study as intertextuality, historicity, femininism, phallocentrism, literary proprietorship, and cultural containment and subversion. This work brings a unified manifold of contemporary critical instruments to bear on the character of Mercutio. In doing so, Porter introduces a new discipline -- a poststructuralist literary characterology -- for the twenty-first century. |
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... head , and seeming as though he kept the goates . After him ensued another young man all naked , saving that his left shoul- der was covered with a rich cloake , and his head shining with glistering haires , and hanging downe , through ...
... head , and seeming as though he kept the goates . After him ensued another young man all naked , saving that his left shoul- der was covered with a rich cloake , and his head shining with glistering haires , and hanging downe , through ...
63 ページ
... head to show the sagacity that comes from Mer- cury , because no other animal is more sagacious than the dog . ] Cartari goes on to explain that Anubis's canine head derives from his doglike loyalty to his father Osiris . The Mercury ...
... head to show the sagacity that comes from Mer- cury , because no other animal is more sagacious than the dog . ] Cartari goes on to explain that Anubis's canine head derives from his doglike loyalty to his father Osiris . The Mercury ...
82 ページ
... head and feete , wear- ing an Hat of white & blacke colloures : A Fawlchon by his side , in one hande a Scepter , & in the other a Pype , on the one side stode a Cocke and a Ramme , and close by his side a Fylcher or Cutpurse , and ...
... head and feete , wear- ing an Hat of white & blacke colloures : A Fawlchon by his side , in one hande a Scepter , & in the other a Pype , on the one side stode a Cocke and a Ramme , and close by his side a Fylcher or Cutpurse , and ...
目次
SHAKESPEARES MERCURY II | 11 |
Renaissance Pictures with Text | 43 |
SHAKESPEARES MERCUTIO | 95 |
著作権 | |
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