Shakespeare's Mercutio: His History and DramaUniversity of North Carolina Press, 1988 - 281 ページ In this impressive study, Joseph Porter traces the figure of Mercury from classical, medieval, and Renaissance literary and pictorial representations to his emergence as the character of Mercutio in Shakespeare's Romeo and Juliet. Porter grounds his analysis of Mercutio in a historical and cultural context and examines the transformation of Mercutio's character in criticism and performance from the Renaissance to the present. Exploring the playwright's goals and strategies in the development of this short-lived but important character, Porter reveals an abundance of information that helps us understand Shakespeare's creative processes in the context of Renaissance culture. He addresses a large body of critical commentary and examines a number of issues, including Mercutio's implications for the history of sexuality and gender, and the concept of the dramatic character itself in contemporary criticism. Porter also investigates such issues of interest in Shakespeare study as intertextuality, historicity, femininism, phallocentrism, literary proprietorship, and cultural containment and subversion. This work brings a unified manifold of contemporary critical instruments to bear on the character of Mercutio. In doing so, Porter introduces a new discipline -- a poststructuralist literary characterology -- for the twenty-first century. |
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... least immediate of all those considered in this study inas- much as none of the evidence is better than secondhand . AFTER the nearly two centuries of adaptations following D'Ave- nant's 1662 revival , in 1845 Charlotte and Susan ...
... least immediate of all those considered in this study inas- much as none of the evidence is better than secondhand . AFTER the nearly two centuries of adaptations following D'Ave- nant's 1662 revival , in 1845 Charlotte and Susan ...
197 ページ
His History and Drama Joseph A. Porter. least something of a consensus suggesting that the obverse of the familiar sentimentalization is a rapacious degradation . By contrast ... least in Leech's view , stems Mercutio's Shakespeare 197.
His History and Drama Joseph A. Porter. least something of a consensus suggesting that the obverse of the familiar sentimentalization is a rapacious degradation . By contrast ... least in Leech's view , stems Mercutio's Shakespeare 197.
201 ページ
... least a potential — and therefore actual , in the paradoxical logic operative here - kind of depth or penumbra denied dramatic characters . A dramatic character by con- trast is quite determinate . Since no narrator stands between Mercu ...
... least a potential — and therefore actual , in the paradoxical logic operative here - kind of depth or penumbra denied dramatic characters . A dramatic character by con- trast is quite determinate . Since no narrator stands between Mercu ...
目次
SHAKESPEARES MERCURY II | 11 |
Renaissance Pictures with Text | 43 |
SHAKESPEARES MERCUTIO | 95 |
著作権 | |
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