Shakespeare's Mercutio: His History and DramaUniversity of North Carolina Press, 1988 - 281 ページ In this impressive study, Joseph Porter traces the figure of Mercury from classical, medieval, and Renaissance literary and pictorial representations to his emergence as the character of Mercutio in Shakespeare's Romeo and Juliet. Porter grounds his analysis of Mercutio in a historical and cultural context and examines the transformation of Mercutio's character in criticism and performance from the Renaissance to the present. Exploring the playwright's goals and strategies in the development of this short-lived but important character, Porter reveals an abundance of information that helps us understand Shakespeare's creative processes in the context of Renaissance culture. He addresses a large body of critical commentary and examines a number of issues, including Mercutio's implications for the history of sexuality and gender, and the concept of the dramatic character itself in contemporary criticism. Porter also investigates such issues of interest in Shakespeare study as intertextuality, historicity, femininism, phallocentrism, literary proprietorship, and cultural containment and subversion. This work brings a unified manifold of contemporary critical instruments to bear on the character of Mercutio. In doing so, Porter introduces a new discipline -- a poststructuralist literary characterology -- for the twenty-first century. |
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6 ページ
... resonances between Romeo and Winter's Tale dis- cussed below passim ) . The titular heroes are twins separated at birth ... resonance might seem the more likely with the latter play inas- much as the earlier of the two lost plays ( both ...
... resonances between Romeo and Winter's Tale dis- cussed below passim ) . The titular heroes are twins separated at birth ... resonance might seem the more likely with the latter play inas- much as the earlier of the two lost plays ( both ...
11 ページ
... resonance between the character so attractive he had to be killed off midway through to keep him from stealing the play ( Dryden , " Defence , " p . 174 ) and the Olympian whose " attri- butes are the most complex and varied of those of ...
... resonance between the character so attractive he had to be killed off midway through to keep him from stealing the play ( Dryden , " Defence , " p . 174 ) and the Olympian whose " attri- butes are the most complex and varied of those of ...
116 ページ
... resonance for " scorn , " here first attributed to Mercutio - heretofore in the play scorn has been named only by Tybalt , and erroneously attributed to Romeo . Mercury however has displayed scorn repeat- edly , indeed more clearly than ...
... resonance for " scorn , " here first attributed to Mercutio - heretofore in the play scorn has been named only by Tybalt , and erroneously attributed to Romeo . Mercury however has displayed scorn repeat- edly , indeed more clearly than ...
目次
SHAKESPEARES MERCURY II | 11 |
Renaissance Pictures with Text | 43 |
SHAKESPEARES MERCUTIO | 95 |
著作権 | |
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