The Rime Of The Ancient Mariner: In Seven Parts

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Samuel Taylor Coleridge's place in the canon of English poetry rests on a comparatively small body of achievement: a few poems from the late 1790s and early 1800s and his participation in the revolutionary publication of Lyrical Ballads in 1797. Unlike Wordsworth, his work cannot be understood through the lens of the 1802 preface to the second edition of that book; though it does resemble Wordsworth's in its idealization of nature and its emphasis on human joy, Coleridge's poems often favor musical effects over the plainness of common speech. The intentional archaisms of "The Rime of the Ancient Mariner" and the hypnotic drone of "Kubla Khan" do not imitate common speech, creating instead a more strikingly stylized effect. Further, Coleridge's poems complicate the phenomena Wordsworth takes for granted: the simple unity between the child and nature and the adult's reconnection with nature through memories of childhood; in poems such as "Frost at Midnight," Coleridge indicates the fragility of the child's innocence by relating his own urban childhood. In poems such as "Dejection: An Ode" and "Nightingale," he stresses the division between his own mind and the beauty of the natural world. Finally, Coleridge often privileges weird tales and bizarre imagery over the commonplace, rustic simplicities Wordsworth advocates; the "thousand thousand slimy things" that crawl upon the rotting sea in the "Rime" would be out of place in a Wordsworth poem.

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著者について (1798)

Born in Ottery St. Mary, England, in 1772, Samuel Taylor Coleridge studied revolutionary ideas at Cambridge before leaving to enlist in the Dragoons. After his plans to start a communist society in the United States with his friend Robert Southey, later named poet laureate of England, were botched, Coleridge instead turned his attention to teaching and journalism in Bristol. Coleridge married Southey's sister-in-law Sara Fricker, and they moved to Nether Stowey, where they became close friends with William and Dorothy Wordsworth. From this friendship a new poetry emerged, one that focused on Neoclassic artificiality. In later years, their relationship became strained, partly due to Coleridge's moral collapse brought on by opium use, but more importantly because of his rejection of Wordworth's animistic views of nature. In 1809, Coleridge began a weekly paper, The Friend, and settled in London, writing and lecturing. In 1816, he published Kubla Kahn. Coleridge reported that he composed this brief fragment, considered by many to be one of the best poems ever written lyrically and metrically, while under the influence of opium, and that he mentally lost the remainder of the poem when he roused himself to answer an ill-timed knock at his door. Coleridge's The Rime of the Ancient Mariner, Christabel, and his sonnet Ozymandias are all respected as inventive and widely influential Romantic pieces. Coleridge's prose works, especially Biographia Literaria, were also broadly read in his day. Coleridge died in 1834.

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