Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 ページ |
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203 ページ
... character with itself , or blended their different qualities together in the same story . What a contrast the character of Othello forms to that of Iago at the same time , the force of conception with which these two figures are opposed ...
... character with itself , or blended their different qualities together in the same story . What a contrast the character of Othello forms to that of Iago at the same time , the force of conception with which these two figures are opposed ...
335 ページ
... character in which Garrick came out it was the second character in which Mr. Kean appeared , and in which he acquired his fame . Shakespeare we have always with us : actors we have only for a few seasons ; and therefore some account of ...
... character in which Garrick came out it was the second character in which Mr. Kean appeared , and in which he acquired his fame . Shakespeare we have always with us : actors we have only for a few seasons ; and therefore some account of ...
339 ページ
... character of Richard as odious and disgusting as possible . It is apparently for no other purpose than to make Gloucester stab King Henry on the stage , that the fine abrupt introduction of the character in the opening of the play is ...
... character of Richard as odious and disgusting as possible . It is apparently for no other purpose than to make Gloucester stab King Henry on the stage , that the fine abrupt introduction of the character in the opening of the play is ...
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actor admiration affection answer Antony Apemantus beauty better breath Caesar Caliban character Chaucer comedy Coriolanus Cymbeline dear death Desdemona dost doth everything eyes Falstaff favour fear feeling fool fortune friends genius give Gonerill grace grave Hamlet hand hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet Julius Caesar king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony Midsummer Night's Dream mind moral mother nature never night noble once Othello Pandarus passages passion person pity play pleasure poet poetry pride prince Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak speech spirit Stendhal sweet tell tenderness thee things thou art thought Timon Titus Andronicus tragedy true truth unto wife wish words youth