Shakespeare as a Dramatic Artist: A Popular Illustration of the Principles of Scientific Criticism

analysis Antonio appears Ariel Armado artistic Banquo Bassanio becomes Ben Jonson blank verse Brutus Brutus's Caliban Caskets Story Cassio central idea centre CHAP character climax complexity Complication conception crime Desdemona Destiny distinct dramatic dramatist effect elements emotional enchantment Enveloping Action euphuism evil fall fate fool force give Gloucester Goneril human humour Iago incidents inductive criticism interest intrigue Irony Jaques Julius Cæsar justice King Lady Macbeth Lear literary literature Love's Labour's Lost Macduff madness main plot ment Merchant of Venice mind modern moral Motion Motive movement murder nature Nemesis Action oracle Oracular Action Othello passion personages play Poetic Justice Portia present Prospero purpose recognised retribution Richard Richard III rise Rosalind scene seen sense Shakespeare Shylock side spirit stage Sub-Action suggests supernatural sympathy Tempest thee things thou thought tion tone tragedy train treatment turning-point Underplot unity verse villainy whole words