The Tragic Engagement: A Study of Shakespeare's Classical TragediesFunk & Wagnalls, 1968 - 336 ページ |
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... Brutus who de- feated the Tarquins ( I.ii.156-59 ) does Brutus weaken , and admit : Brutus had rather be a villager Than to repute himself a son of Rome Under these hard conditions as this time Is like to lay upon me . ( I.ii.170-73 ) ...
... Brutus who de- feated the Tarquins ( I.ii.156-59 ) does Brutus weaken , and admit : Brutus had rather be a villager Than to repute himself a son of Rome Under these hard conditions as this time Is like to lay upon me . ( I.ii.170-73 ) ...
96 ページ
... Brutus against his every in- stinct of self - preservation ? Surely he need not follow him to the edge of suicide . But the answer here is clear . The play turns on a fine sense of what constitutes manhood , what it is to be a Roman ...
... Brutus against his every in- stinct of self - preservation ? Surely he need not follow him to the edge of suicide . But the answer here is clear . The play turns on a fine sense of what constitutes manhood , what it is to be a Roman ...
102 ページ
... Brutus has the con- spirators literally bathe their hands in Caesar's blood and wave them in the streets bringing good news of liberty ( III.1.105-10 ) . At the conspiracy , Brutus is concerned they take no bad blood ( II.i.167–70 ) ...
... Brutus has the con- spirators literally bathe their hands in Caesar's blood and wave them in the streets bringing good news of liberty ( III.1.105-10 ) . At the conspiracy , Brutus is concerned they take no bad blood ( II.i.167–70 ) ...
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Aaron action Alcibiades animal Antony Antony and Cleopatra Antony's army Aufidius authority battle becomes begins blood body bond brings Brutus calls Cassius cause characters choice Cleopatra close comes Coriolanus dead death Egypt elements enemy evil eyes fall father fear fight figure finally follows force give Greek hand heart Hector Henry hero human judgment Julius Caesar justice keep kill King Lear leave lives Lucius moral mother move murder nature never Octavius once peace play plot political present reason remains Richard role Roman Rome rule scene seems senators sense Shakespeare shape shift simply social society soldier soul speech spirit stage stands structure suggests thee things thou Timon of Athens tion Titus Titus Andronicus tragedy tragic Troilus and Cressida truth turn Ulysses