The Tragic Engagement: A Study of Shakespeare's Classical TragediesFunk & Wagnalls, 1968 - 336 ページ |
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... Lear , their tragedy is no stumbling over an imperfection , but an orgiastic self - immolation , insisting on being human . Lear may have stumbled , casting off Cordelia ; he is driven mad , repeatedly insisting : If O heavens ! you do ...
... Lear , their tragedy is no stumbling over an imperfection , but an orgiastic self - immolation , insisting on being human . Lear may have stumbled , casting off Cordelia ; he is driven mad , repeatedly insisting : If O heavens ! you do ...
128 ページ
... Lear , and Macbeth , parricide remained dominant ; and the figure of the father , Claudius , Brabantio , King Lear , and Duncan became more a victim , less able to fight back . Indeed , arresting throughout is the way the young ...
... Lear , and Macbeth , parricide remained dominant ; and the figure of the father , Claudius , Brabantio , King Lear , and Duncan became more a victim , less able to fight back . Indeed , arresting throughout is the way the young ...
231 ページ
... Lear , for example , has the following dialog : LEAR What art thou ? KENT A very honest - hearted fellow , and as poor as the King . LEAR If thou be'st as poor for a subject as he's for a King , thou art poor enough . What wouldst thou ...
... Lear , for example , has the following dialog : LEAR What art thou ? KENT A very honest - hearted fellow , and as poor as the King . LEAR If thou be'st as poor for a subject as he's for a King , thou art poor enough . What wouldst thou ...
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Aaron action Alcibiades animal Antony Antony and Cleopatra Antony's army Aufidius authority battle becomes begins blood body bond brings Brutus calls Cassius cause characters choice Cleopatra close comes Coriolanus dead death Egypt elements enemy evil eyes fall father fear fight figure finally follows force give Greek hand heart Hector Henry hero human judgment Julius Caesar justice keep kill King Lear leave lives Lucius moral mother move murder nature never Octavius once peace play plot political present reason remains Richard role Roman Rome rule scene seems senators sense Shakespeare shape shift simply social society soldier soul speech spirit stage stands structure suggests thee things thou Timon of Athens tion Titus Titus Andronicus tragedy tragic Troilus and Cressida truth turn Ulysses