The Tragic Engagement: A Study of Shakespeare's Classical TragediesFunk & Wagnalls, 1968 - 336 ページ |
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... Once drunk , the wine can never be poured again . Once broken in , a pair of shoes never quite feel the same again . But a book , a poem , a play , like a statue , we enjoy over and over at our leisure , its suggestiveness and har- mony ...
... Once drunk , the wine can never be poured again . Once broken in , a pair of shoes never quite feel the same again . But a book , a poem , a play , like a statue , we enjoy over and over at our leisure , its suggestiveness and har- mony ...
176 ページ
... once ripened to my will . ( 1 Henry VI , II.iv.96–99 ) These references using a vegetable or animal metaphor have nothing to do with chronological time , but reify time itself . Time is a mysterious organism containing history and ...
... once ripened to my will . ( 1 Henry VI , II.iv.96–99 ) These references using a vegetable or animal metaphor have nothing to do with chronological time , but reify time itself . Time is a mysterious organism containing history and ...
285 ページ
... once ripened will " ( II.iv.99 ) , as a semisacred organism . Even in Troilus and Cressida , time was neat , purposeless , yet some- how still an organism ( III.iii.145-74 ) . But Coriolanus suggests only the wayward flow of events . So ...
... once ripened will " ( II.iv.99 ) , as a semisacred organism . Even in Troilus and Cressida , time was neat , purposeless , yet some- how still an organism ( III.iii.145-74 ) . But Coriolanus suggests only the wayward flow of events . So ...
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Aaron Achilles action Alcibiades Antony and Cleopatra Antony's army audience Aufidius battle black comedy blood body bond Brutus calls Calphurnia Cassius characters classical tragedies comedy Cominius conspirators Coriolanus dead death dramatic Egypt elements emperor enemy Enobarbus ethical hero evil father fear fight filicide finally force gesture Goths grasp Greek Hamlet hath heart heaven Hector Henry Henry VI honour human Ibid judgment Julius Caesar justice kill King Lear Lepidus lives Lucius Macbeth moral mother murder mythic natural law never Octavius peace play plot Plutarch political Prince Richard Richard III ritual role Roman Rome ruler Saturninus scene secular senators sense Shakespeare shape shift simply social soldier soul speech spirit stage stands structure stylized suggests sword Tamora tears thee thou Timon of Athens tion Titus Andronicus tragic choice tragic hero Troilus and Cressida Troy truth typology Ulysses virtue Volscian Volumnia warrior