The Tragic Engagement: A Study of Shakespeare's Classical TragediesFunk & Wagnalls, 1968 - 336 ページ |
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... role and his moral stance . This explains Tamora's po- litical inertness , despite Aaron's calling her a fine plotter of villainy ( II.i.120-25 ) . The demands of the plot dic- tate her role , not the author's brain . Her role is now ...
... role and his moral stance . This explains Tamora's po- litical inertness , despite Aaron's calling her a fine plotter of villainy ( II.i.120-25 ) . The demands of the plot dic- tate her role , not the author's brain . Her role is now ...
95 ページ
... role . Each pays for his error with his life . From this point of view , the major characters divide into two groups , the pretenders to stature , like Caesar , Bru- tus , and Portia , who deceive themselves , and men of ruth- less ...
... role . Each pays for his error with his life . From this point of view , the major characters divide into two groups , the pretenders to stature , like Caesar , Bru- tus , and Portia , who deceive themselves , and men of ruth- less ...
331 ページ
... role , and assigns to Coriolanus the role of a bride ; with Cominius , Coriolanus took the male role . Aufidius commands as Cominius does not , not only on the battle- field , but in Antium . Their senators are convened in Au- fidius ...
... role , and assigns to Coriolanus the role of a bride ; with Cominius , Coriolanus took the male role . Aufidius commands as Cominius does not , not only on the battle- field , but in Antium . Their senators are convened in Au- fidius ...
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Aaron Achilles action Alcibiades Antony and Cleopatra Antony's army audience Aufidius battle black comedy blood body bond Brutus calls Calphurnia Cassius characters classical tragedies comedy Cominius conspirators Coriolanus dead death dramatic Egypt elements emperor enemy Enobarbus ethical hero evil father fear fight filicide finally force gesture Goths grasp Greek Hamlet hath heart heaven Hector Henry Henry VI honour human Ibid judgment Julius Caesar justice kill King Lear Lepidus lives Lucius Macbeth moral mother murder mythic natural law never Octavius peace play plot Plutarch political Prince Richard Richard III ritual role Roman Rome ruler Saturninus scene secular senators sense Shakespeare shape shift simply social soldier soul speech spirit stage stands structure stylized suggests sword Tamora tears thee thou Timon of Athens tion Titus Andronicus tragic choice tragic hero Troilus and Cressida Troy truth typology Ulysses virtue Volscian Volumnia warrior