The Plays and Poems of William Shakspeare, 第 1 巻R. C. and J. Rivington, 1821 |
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... Malone , a critick of high and established fame , by substituting opinions of my own ; nor have I , in general , added to these commentaries , too voluminous already , by expressing my dissent ; yet I confess ADVERTISEMENT . vii.
... Malone , a critick of high and established fame , by substituting opinions of my own ; nor have I , in general , added to these commentaries , too voluminous already , by expressing my dissent ; yet I confess ADVERTISEMENT . vii.
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William Shakespeare James Boswell. already , by expressing my dissent ; yet I confess that in the course of the long labours which I have had to undergo , I have not been able entirely to refrain from occasionally ap- pearing in my own ...
William Shakespeare James Boswell. already , by expressing my dissent ; yet I confess that in the course of the long labours which I have had to undergo , I have not been able entirely to refrain from occasionally ap- pearing in my own ...
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... expressing their satisfaction that my friend , Mr. Markland , has , per- mitted me to lay before the publick , upon this occasion , his valuable Essay on the Chester Mysteries . I have also retained the extracts which Mr. Reed had given ...
... expressing their satisfaction that my friend , Mr. Markland , has , per- mitted me to lay before the publick , upon this occasion , his valuable Essay on the Chester Mysteries . I have also retained the extracts which Mr. Reed had given ...
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... expressing himself . " Master , master ! & c . ' As this speaker's reply could not have run in such terms as we see it does , unless ' old ' had stood somewhere , moderns all consent in inserting it ; but the place chosen by them , is ...
... expressing himself . " Master , master ! & c . ' As this speaker's reply could not have run in such terms as we see it does , unless ' old ' had stood somewhere , moderns all consent in inserting it ; but the place chosen by them , is ...
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... expression of his countenance , that he had been deceived . If any thing more were necessary to destroy its credit , it would be found in what he him- self has stated - that it was seen by Lord Leicester , and Horace Walpole [ Lord ...
... expression of his countenance , that he had been deceived . If any thing more were necessary to destroy its credit , it would be found in what he him- self has stated - that it was seen by Lord Leicester , and Horace Walpole [ Lord ...
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acquaintance admirers ancient appears Ben Jonson Cæsar censure character collation comedy conjecture correct corrupted criticism death drama dramatick edition editor emendation English engraving errors favour French genius gentleman Hamlet hath honour imitation instance John Jonson judgment Juliet Julius Cæsar King Henry King Lear labour language late Latin learning letter lines Lond Love's Labour's Lost Lover's Melancholy Macbeth Malone Malone's meaning Merchant of Venice metre modern nature never notes obscure observed old copies opinion original passage perhaps pieces players plays poem poet poet's poetry Pope portrait praise preface prefixed present printed publick published quarto reader reason remarks Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's stage Steevens supposed syllables Theobald thing thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth verse Winter's Tale words writer written
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236 ページ - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
476 ページ - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
62 ページ - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
449 ページ - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was, indeed, honest, and of. an open and free nature, had an excellent fancy, brave notions, and gentle expressions ; wherein he flowed with that facility, that sometimes it was necessary he should be stopped : Snfflaminandus erat, as Augustus said of Haterius.
484 ページ - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
xlvi ページ - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
459 ページ - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
473 ページ - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
64 ページ - Shakespeare has no heroes; his scenes are occupied only by men who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion: even where the agency is supernatural, the dialogue is level with life.
454 ページ - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress