The Plays and Poems of William Shakspeare, 第 1 巻R. C. and J. Rivington, 1821 |
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vii ページ
... prove of use , he was in the habit of using the first scrap of paper which presented itself , and marking down his memoranda in a species of short hand , of which no one , who was not accustomed to his manner , could readily comprehend ...
... prove of use , he was in the habit of using the first scrap of paper which presented itself , and marking down his memoranda in a species of short hand , of which no one , who was not accustomed to his manner , could readily comprehend ...
xxxii ページ
... prove . It was not only handed down , as Mr. Gifford states , from Mr. Malone to Mr. Weber , but from Dryden ... proving to be a forgery from end to end ! The exposure occurs in the first volume , the ' note ' at the end of the second ...
... prove . It was not only handed down , as Mr. Gifford states , from Mr. Malone to Mr. Weber , but from Dryden ... proving to be a forgery from end to end ! The exposure occurs in the first volume , the ' note ' at the end of the second ...
xxxiv ページ
... proving Twelfth Night to be writ- ten in 1614 , that is , sixteen years before the appearance of Every Man out of his Humour ; he had also posi- tively affirmed ( p . cclxxv ) that he did not believe · Twelfth Night was meant ; ' yet he ...
... proving Twelfth Night to be writ- ten in 1614 , that is , sixteen years before the appearance of Every Man out of his Humour ; he had also posi- tively affirmed ( p . cclxxv ) that he did not believe · Twelfth Night was meant ; ' yet he ...
xlii ページ
... depreciate this beautiful comedy by calling it a foolery . The depreciation remains to be proved- but ( I regret to say it ) I have a heavier charge against Mr. Malone than a too precipitate conclusion - a charge of xhi ADVERTISEMENT .
... depreciate this beautiful comedy by calling it a foolery . The depreciation remains to be proved- but ( I regret to say it ) I have a heavier charge against Mr. Malone than a too precipitate conclusion - a charge of xhi ADVERTISEMENT .
xlvi ページ
... but the fulness of friendship , enlivened by a social meeting , and tending to hilarity and festive delight . Yet this is produced to prove Jonson's enmity ! What idea of friendship Mr. Malone had formed , I know not xlvi ADVERTISEMENT .
... but the fulness of friendship , enlivened by a social meeting , and tending to hilarity and festive delight . Yet this is produced to prove Jonson's enmity ! What idea of friendship Mr. Malone had formed , I know not xlvi ADVERTISEMENT .
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acquaintance admirers ancient appears Ben Jonson Cæsar censure character collation comedy conjecture correct corrupted criticism death drama dramatick edition editor emendation English engraving errors favour French genius gentleman Hamlet hath honour imitation instance John Jonson judgment Juliet Julius Cæsar King Henry King Lear labour language late Latin learning letter lines Lond Love's Labour's Lost Lover's Melancholy Macbeth Malone Malone's meaning Merchant of Venice metre modern nature never notes obscure observed old copies opinion original passage perhaps pieces players plays poem poet poet's poetry Pope portrait praise preface prefixed present printed publick published quarto reader reason remarks Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's stage Steevens supposed syllables Theobald thing thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth verse Winter's Tale words writer written
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236 ページ - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
476 ページ - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
62 ページ - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
449 ページ - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was, indeed, honest, and of. an open and free nature, had an excellent fancy, brave notions, and gentle expressions ; wherein he flowed with that facility, that sometimes it was necessary he should be stopped : Snfflaminandus erat, as Augustus said of Haterius.
484 ページ - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
xlvi ページ - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
459 ページ - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
473 ページ - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
64 ページ - Shakespeare has no heroes; his scenes are occupied only by men who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion: even where the agency is supernatural, the dialogue is level with life.
454 ページ - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress