He suffered-but his pangs are o'er; Enjoyed-but his delights are fled; Had friends his friends are now no more, And foes-his foes are dead. He loved but whom he loved the grave He saw whatever thou hast seen; He was whatever thou hast been; The rolling seasons, day and night, Sun, moon, and stars, the earth and main, Erewhile his portion, life and light, To him exist in vain. The clouds and sunbeams o'er his eye That once their shades and glory threw, Have left in yonder silent sky No vestige where they flew. The annals of the human race, Their ruins, since the world began, Of him afford no other trace Than this there lived a man. LOVE OF COUNTRY AND HOME. THERE is a land, of every land the pride, When the wild hunter takes his lonely way, His wastes of snow are lovelier in his eye Round Andes' heights, where Winter, from his throne, JOHN WILSON. PROFESSOR WILSON, so long the distinguished occupant of the chair of Moral Philosophy in the University of Edinburgh, earned his first. laurels by his poetry. He was born in the year 1788, in the town of Paisley, where his father carried on business and attained to opulence as a manufacturer. At thirteen he entered Glasgow University, from which in due time he was transferred to Magdalene College, Oxford. A notable capacity for knowledge and remarkable literary powers were at the same time united to a singular taste for Gymnastic exercises and rural sports. After four years' residence at Oxford, the poet purchased a small but beautiful estate on the banks of Lake Windermere. He married-built a house and a yacht-enjoyed himself among the magnificent scenery of the lakes-wrote poetry-and cultivated the society of Wordsworth. These must have been happy days. With youth, robust health, fortune, and an exhaustless imagination, Wilson must, in such a spot, have been blest even up to the dreams of a poet. Some reverses, however, came, and, after entering himself of the Scottish bar, he sought and obtained his Moral Philosophy chair. He connected himself with Blackwood's Magazine, and in this miscellany poured forth the riches of his fancy, learning, and taste. The poetical works of Wilson have been collected in two volumes. They consist of the "Isle of Palms," "City of the Plague," and several smaller pieces. "The His prose works have been more popular than his poems. Lights and Shadows of Scottish Life," a collection of beautiful stories illustrative of Scottish manners, scenery, and history, has had an immense sale, and an unbounded popularity. Gilfillan, in his "Literary Portraits," says:— "It is probable that the very variety and versatility of Wilson's powers have done him an injury in the estimation of many. They can hardly belive that an actor, who can play so many parts, is perfect in all. Because he is, confessedly, one of the most eloquent of men, it is doubted whether he can be profound: because he is a fine poet, he must be a shallow metaphysician;-because he is the Editor of Blackwood, he must be an inefficient professor. There is such a thing on this round earth, as diffusion along with depth, as the versatile and vigorous mind of a man of genius mastering a multitude of topics, while others are blunderingly acquiring one, or as a man 'multiplying himself among mankind, the Proteus of their talents,' and proving that the Voltairian activity of brain has been severed, in one splendid instance, at least, from the Voltairian sneer and the Voltairian shallowness. Such an instance as that of our illustrious Professor, who is ready for every tack, who can, at one time, scorch a poetaster to a cinder, at another cast illumination into the 'dark deep holds' of a moral question by a glance of his genius; at one time dash off the picture of a Highland glen with the force of a Salvator, at another lay bare the anatomy of a passion with the precision and force of an Angelo,-write now the sweetest verse, and now the most energetic prose,-now let slip, from his spirit, a single star, like the 'evening cloud,' and now unfurl a Noctes upon the wondering world,-now paint Avarice till his audience are dying with laughter, and now Emulation and Sympathy till they are choked with tears,-write now 'the Elder's Deathbed,' and now the Address to a Wild Deer,'-be equally at home in describing the Sufferings of an Orphan girl, and the undressing of a dead Quaker, by a congregation of ravens, under the brow of Helvellyn." |