The Complete Works of William Shakespeare: With a Life of the Poet, Explanatory Foot-notes, Critical Notes and a Glossarial Index, 第 20 巻Ginn, 1900 |
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... is in both a certain inconti- nence of wit and fancy , which shows that impulse was at that time stronger with the Poet than art . The truth seems to be , that both are too highly seasoned with the peculiar spicery LUCRECE. ...
... is in both a certain inconti- nence of wit and fancy , which shows that impulse was at that time stronger with the Poet than art . The truth seems to be , that both are too highly seasoned with the peculiar spicery LUCRECE. ...
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... time to carry an abiding relish . Their shape and physiognomy express rather the literary fashion of the age than the Poet's mental character ; and what was then apt to be regarded as the crowning witchcraft of poetry , has the effect ...
... time to carry an abiding relish . Their shape and physiognomy express rather the literary fashion of the age than the Poet's mental character ; and what was then apt to be regarded as the crowning witchcraft of poetry , has the effect ...
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... time , moiety was used indifferently for any part of a thing , whether the half , or more or less than half . The plays furnish several instances in point . See vol . iii . page 191 , note 8 , and vol . xv . page 10 , note 3 . 2 This ...
... time , moiety was used indifferently for any part of a thing , whether the half , or more or less than half . The plays furnish several instances in point . See vol . iii . page 191 , note 8 , and vol . xv . page 10 , note 3 . 2 This ...
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... time the dead of night , When heavy sleep had closed up mortal eyes : No comfortable 1 star did lend his light , 9 To gage is to put in pledge , to stake , to pawn . 10 The Poet repeatedly uses to leave for to leave off , or to cease ...
... time the dead of night , When heavy sleep had closed up mortal eyes : No comfortable 1 star did lend his light , 9 To gage is to put in pledge , to stake , to pawn . 10 The Poet repeatedly uses to leave for to leave off , or to cease ...
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... time for serious thought ; a frequent use of sad in the Poet's time . See vol . iv . page 170 , note II . 3 Weak or foolish was the more common meaning of fond . The locks between her chamber and his will , Each LUCRECE . 19.
... time for serious thought ; a frequent use of sad in the Poet's time . See vol . iv . page 170 , note II . 3 Weak or foolish was the more common meaning of fond . The locks between her chamber and his will , Each LUCRECE . 19.
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Adonis bear beauty's behold birds blood blushing breast breath Capell's correction cheeks Collatine conceit dead dear death deeds delight desire disgrace doth England's Helicon eternity face fair fair lords falchion false fault fear feasts of love flower foul gainst gentle give grace grief hand hast hate hath heart Heaven honour Julius Cæsar king live look love's LOVER'S COMPLAINT Lucrece lust Malone mayst meaning mind mistress moan Muse night o'er old copies pale Passionate Pilgrim passions pity Poet Poet's poison'd poor praise Priam pride quoth rhyme seem'd sense Sextus Tarquinius Shakespeare shalt shame sight sing Sonnets sorrow soul strong swear Tarquin tears Tereu thee thine eye thing thou art thou dost thought thy sweet thyself Time's tongue true truth Venus and Adonis verse watergall weep WILLIAM SHAKESPEARE words worth wounds youth