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“Ilandley Cross; or, Mr. Jorrock's Jaunts," by R. W. Surtees, coloured etchings and numerous designs on wood.

1856. “The Paragreens.”

1857. “Merry Pictures,” by the Comic Hands of Phiz, Leech, Kenny Meadows, Gavarni, and others.

“The Militia Man at Home and Abroad,” by Emeritus. “A Month in the Forests of France,” by the Hon. Grantley F: Berkeley.

1858. “Encyclopædia of Rural Sports."

“Ask Mamma; or, the Richest Commoner in England,” by R. W. Surtees, coloured etchings and numerous designs on wood.

1859. “The Fliers of the Hunt," by John Mills.

"A Little Tour in Ireland,” by the Rev. S. Reynolds Hole, coloured folding frontispiece and designs on wood.

“Newton Dogvane : a Story of English Life,” by J. Francis.
“Soapey Sponge” (sporting). ? Sao-leer,?
“ Paul Prendergast."
"Once a Week,” 1859 to 1864.

1860. “Mr. Briggs and His Doings ” (fishing), twelve coloured plates.

“ Plain or Ringlets,” by R. W. Surtees, coloured etchings and numerous designs on wood. - [IVith George Cruikshank, Phis," and John Tenniel]. “Puck on Pegasus." 1861.

“Mill's Life of a Fox-Hound."

[IVith George Cruikshank and John Tenniel.] “The Ingoldsby Legends.” 1864.

“ The Follies of the Year,” twenty-one coloured etchings from Punch's “ Pocket Books,” with descriptive letterpress by Shirley Brooks.

“Mr. Facey Romford's Hounds,” by R. W. Surtees, coloured etchings and designs on wood (finished by “ Phiz").

[With Doyle and others.] “ The Cricket on the Hearth.” By Charles Dickens. 1845-6.

Reprint. “ Fly Leaves," lithographs.

“Sketches of Life and Character taken at the Police Court, Bow Street," by George Hodder.

APPENDIX IV.

SOME MISCELLANEOUS WORK OF ALFRED HENRY

FORRESTER (ALFRED CROWQUILL).

“Ups and Downs," 1823 ; “Paternal Pride," 1825; “Despon. ciency and Jealousy" (with George Cruikshank), and many others, in 1825; “Der Freyschutz Travestied,” “ Alfred Crowquill's SketchBook,” “ Absurdities in Prose and Verse,” 1827; Goethe's “Faust," 1834; six plates of “Pickwickian Sketches,” Alfred Bunn's “Vauxhall Papers,” 1841; designs on wood for “ Sea Pie,” an omnium gatherum containing also plates aster David Cox, Pyne, Stanfield, and Vickers, 1842 ; “Punch” (vols. ii. to iv); plates and numerous designs on wood for “Bentley's Miscellany,” many original designs to “Doctor Syntax's Tour in Search of the Picturesque,” 1844; “Comic Arithmetic” (forty-seven humorous vignettes), 1844 ; “ Woman's Love," 1846 ; “ Wanderings of a Pen and Pencil," 1846; “A Good-natured Hint about California," 1849; “The Excitement” (2 plates), 1849; 120 designs on wood for the “Pictorial Grammar; ” designs on wood for the “ Pictorial Arithmetic ;” “Gold,” 1850; “A Bundle of Crowquills Dropped by Alfred Crowquill,” 1854; “ Fun,” 1854 ; “Griffel Swillendrunken,” 1856; “Aunt Mavor's Nursery Tales," 1856; “Little Pilgrim," 1856; “Little Plays for Little Actors," 1856 ; “Fairy Tales,” 1857 ; “Merry Pictures by the Comic Hands of · Phiz,'” etc. (Kent & Co.), 1857 ; " The Book of Ballads," by Bon Gaultier (with Doyle and Leech), 1857 ; “A New Story Book," 1858 ; “ Fairy Tales,” by Cuthbert Bede, 1858 ; " Baron Munchau. sen” (coloured plates), 1858; “Tyll Owlglass” (a similar book), 1859; “Honesty and Cunning," 1859; “ Kindness and Cruelty,” 1859; “ The Red Cap,” 1859: “Paul Prendergast,” 1859; “Strange Surprising Adventures of the Venerable Gooros Simple,” 1861; “Fairy Footsteps," 1861; Chambers' “ Book of Days; ” G. W. Reynolds'

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“Pickwick Abroad” (now scarce); “The Boys and the Giant," 1870 ; "The Cunning Fox,” 1870 ; “Dick Doolittle,” 1870 ; "Little Tiny's Picture Book," 1871; “Guide to the Watering Places” (views and comic plates); “ Comic Eton Grammar" (with Leech); “ Fairy Footsteps; or, Lessons from Legends” (100 designs on wood, with Kenny Meadows); Henry Cockton's "Sisters; or, England and France."

APPENDIX V.

SOME WORKS ILLUSTRATED BY HABLOT KNIGHT BROWNE.

Charles Dickens's “Sunday under Three Heads," 1836.

“Posthumous Papers of the Pickwick Club," forty-three plates by Seymour and “ Phiz.” 1836–37.

The following are also to be met with. “ Posthumous Papers of the Pickwick Club," with the Seymour and “ Phiz” plates, the two suppressed plates of “Buss," and the extra series of thirty plates by Onwhyn. 1837.

The same, with the forty plates by Seymour and “ Phiz," the two suppressed plates of Luss, and twenty-three plates by "Sam Weller” and Onwhyn.

“Sketches of Young Ladies by . Quiz'” (Charles Dickens), six copper plates, 1837.

James Grant's “Sketches in London,” twenty-four humorous illustrations on steel by “ Phiz” and others, Orr, 1838. Another edition in 1840.

“A Paper of Tobacco : a Treatise on Smoking, with Anecdotes, Mems on Pipes, Tobacco-boxes, and Snuff." By Joseph Fume, Copper plates and picture boards. 1839.

“Life and Adventures of Nicholas Nickleby." 1839.

The same, with the plates by “ Phiz,” and an extra series of plates by Onwhyn and “ Peter Palette." 1839.

The same, with the forty plates by “ Phiz," and a set of forty plates by “Peter Palette” added.

“New Sporting Magazine.” 1839.

Charles Lever's “Harry Lorrequer.” 1839. (A pirated edition was published at Philadelphia, 1804.)

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s: Dublin 1.12" Sir J. Cil, Irish Peasan,

" London Magazine, Charivari, and Courrier des Dames ” (with Leech and “Gillray, Junr.”). 1840.

“Master Humphrey's Clock," " Old Curiosity Shop," and “ Barnaby Rudge,” designs on wood, with Cattermole. 3 vols. 1840-41.

“Sir Thomas Dick Lauder's Legendary Tales of the Highlands." 3 vols. 1841.

Charles Lever's “Charles. O'Malley, the Irish Dragoon,” 2 vols. Dublin, 1841.

“Peter Priggins, the College Scout,” 3 vols. 1841 (made its first appearance without illustrations in the New Monthly Magazine).

“The Pic-nic Papers," by Various Hands, edited by Charles Dickens, plates by Cruikshank, “ Phiz," and Hamerton. 3 vols. 1841.

W. H. Maxwell's “Rambling Recollections of a Soldier of Fortune," woodcuts by “ Phiz” and others. Dublin, 1842.

Lever's “Jack Hinton." Dublin, 1842–43. .

Carleton's "Traits and Stories of the Irish Peasantry” (both series), steel plates by “Phiz," Sir J. Gilbert, Franklin, etc., and woodcuts. 2 vols. Dublin, 1843-44.

Charles Dickens's “ Martin Chuzzlewit," forty plates. 1844.
Charles Lever's “Tom Burke of Ours.” Dublin, 1844.
“Ainsworth's Magazine," from and after 1844.

“The Illuminated Magazine" (with Meadows, Sargent, Gilbert, Harvey, etc.]. 1845.

Charles Lever's “St. Patrick's Eve," woodcuts and fine steel etchings. 1845.

" Tales of the Trains; some Chapters of Railroad Romance," by Tilbury Tramp (i.e. Charles Lever). Orr, 1845.

“Nuts and Nutcrackers." 1845.
Charles Lever's “The O'Donoghue.” Dublin, 1845.

“Fiddle-Faddle's Sentimental Tour in Search of the Amusing, Picturesque, and Agreeable.” 1845.

“ The Union Magazine," vol. i. Three plates. 1846.

“Fanny the Little Milliner; or, the Rich and the Poor" (with Onwhyn). 1846.

“The Commissioner ; or, De Lunatico Inquirendo,” twenty-eight steel plates. Dublin, 1846.

“A Medical, Moral, and Christian Dissertion of Teetotalism," by Democritus. 1846.

LL

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