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1823. FRENCH INTERPOSITION IN SPAIN.

probably intended for, the artist himself. A third excellent pictorial satire of the same year bears the title of Pope Mistaken.

The year 1823 is remarkable for the interposition of the French Bourbon king into Spanish politics. The Spanish military, under the influence of Riego and other officers, and encouraged by the discontent of the middle classes, had revolted in 1820 against the despotism of Ferdinand, and succeeded in establishing a constitution, which, in spite of its imperfections, was preferable to the absolute and irresponsible government of the Spanish monarchy. This state of things was peculiarly distasteful to Louis XVIII., on account of the evil example it afforded to his subjects; and, fortified by the sympathy of the “Holy Alliance” (which may be shortly described as a sort of trades union of sovereigns to resist all political changes not originating with themselves), he determined to put it down. In his speech to the chambers on the 28th of January, he announced that, “ the infatuation with which the representations made at Madrid had been rejected, left little hope of preserving peace. I have ordered," he said, “the recall of my minister; one hundred thousand Frenchmen, commanded by a prince of my family (the Duc d'Angoulème]-by him whom my heart delights to call my son-are ready to march, invoking the God of St. Louis, for the sake of preserving the throne of Spain to a descendant of Henry the Fourth, of saving that fine kingdom from its ruin, and of reconciling it with Europe.” The real cause of interposition, however, is indicated a few sentences afterwards : “ Let Ferdinand the Seventh be free to give to his people institutions which they cannot hold but from him, and which, by securing their tranquillity, would dissipate the just inquietudes of France, [and] hostilities shall cease from that moment."

We have neither time, space, nor inclination to relate the events of this invasion ; suffice it to say that, owing to the cowardice of the Spaniards, it was a complete “walk over” for the French, who, in five months after they had crossed the Bidassoa, had penetrated to Cadiz, dispersed the Cortes, and restored the despotism of Ferdinand

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R. CRUIKSHANX fecit.]

(A. G.--Published May, 1823, "JOIN BULL FLOURISHING IN A DIGNIFIED ATTITUDE OF STRICT NEUTRALITY 1111"

(Face p. 99.

THE HOLY ALLIANCE."

The contemplated crusade had aroused a certain amount of sympathy in favour of Spain in England, but it did not go farther than the giving of a splendid entertainment to the Spanish and Portuguese ambassadors at the London Tavern on the 7th of March, under the presidentship of Lord William Bentinck. The truth was that John Bull had not forgotten the ungrateful and cowardly conduct of the Spaniards when we drove the French out of their country in Napoleon's time; added to which England was saddled with a heavy national debt, which made us still less inclined to intermeddle with the affairs of our neighbours. Robert Cruikshank produced a caricature in reference to our position, called, John Bull, Flourishing in an Attitude of Strict Neutrality, wherein he shows us Spain in the act of imploring his assistance, which, however, poor John is in no position to render, seeing that he wants help himself, being placed in the stocks and heavily burdened with the weight of “last war's taxes.” In the distance appears fat Louis, mounted on a cannon, driven by the Pope, Russia, Austria, and Prussia, in allusion, of course, to the “Holy Alliance" (the three latter powers had recalled their ambassadors from Madrid on the 5th of January), while the devil condescends to lend his assistance by pushing on behind. This caricature is probably the best that Robert ever designed. Another satire on the same subject bears the title of King Gourmand XVIII. and Prince Posterior in a Fright.

One of Robert's satires of this year, entitled The Golden Football, HUGHES BALL has obvious reference to Hughes Ball, known at Eton by his surname of Hughes only, but who took the further name of Ball on coming into a fortune of forty thousand a year left him by his uncle, Admiral Sir Alexander Ball, and thenceforth received his appropriate nickname of the “Golden Ball.” He was considered a great catch by all the mothers in London ; but, notwithstanding his money, was unfortunate in love, being jilted by Lady Jane Paget, rejected by Miss Floyd (afterwards the wife of Sir Robert Peel), and then by Lady Caroline Churchill. The young ladies hearing of his numerous disappointments, were disinclined to encourage a man so proverbially unfortunate. By way, perhaps, of revenge, Hughes Ball this year ran

off with and married Mademoiselle Mercandotti, première danseuse at His Majesty's Theatre, a beautiful girl of sixteen, reported in the scandal of the day to be a natural daughter of the Earl of Fife. The incident of Lady Jane Paget we have mentioned is thus referred to by Charles Molloy Westmacott, the Ishmael of the press of his day, in the English Spy, a work which, as we shall presently see, was also illustrated by the artist :

“ Now, by my faith, it gives me pain
To see thee, cruel Lady J- ,

Regret the Golden Ball.
'Tis useless now: «The Fox and Grapes'
Remember, and avoid the apes

Which wait an old maids' sall.”

1824. THE TENTH HUSSARS.

Other of Robert's satires of the same year bear the title of The Commons versus the Crown of Martyrdom, or King Abraham's Coronation Deferred; and A Vicry in Cumberland, that is the royal duke of that name—a most unpopular personage, and of course proportionately fertile subject of satire in his time.

Among Robert's pictorial satires of 1824, I find one entitled Arrogance or Nonchalence of the Tenth Reported,- the tenth” here referred to being the Tenth Hussars. This distinguished regiment set the pencils of the Brothers Cruikshank and their fellow caricaturists in motion at this period, and I find an amazing number of caricatures of the date of 1824, of which they form the subject. The officers would seem to have acquired considerable unpopularity by the exclusive airs they gave themselves in society, refusing to dance, declining introductions at public and private balls, and otherwise assuming an arrogant and exclusive tone which made them. supremely ridiculous. So far did they carry these absurdities, that they even declined to associate with an officer of their own regiment unless he previously submitted to them the particulars of his birth, parentage, and education, and general claim to be admitted to the privilege of their august society. A certain Mr. Battier, who seems to have been ignorant of the peculiar arrangement they had established in opposition to the rules and policy of the service, had

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