Separate Spheres No More: Gender Convergence in American Literature, 1830-1930Monika Elbert University of Alabama Press, 2000 - 307 ページ Examines the intersection of male and female spheres in American literature Although they wrote in the same historical milieu as their male counterparts, women writers of the 19th- and early 20th-centuries have generally been "ghettoized" by critics into a separate canonical sphere. These original essays argue in favor of reconciling male and female writers, both historically and in the context of classroom teaching. While some of the essays pair up female and male authors who write in a similar style or with similar concerns, others address social issues shared by both men and women, including class tensions, economic problems, and the Civil War experience. Rather than privileging particular genres or certain well-known writers, the contributors examine writings ranging from novels and poetry to autobiography, utopian fiction, and essays. And they consider familiar figures like Harriet Beecher Stowe, Emily Dickinson, and Ralph Waldo Emerson alongside such lesser-known writers as Melusina Fay Peirce, Susie King Taylor, and Mary Gove Nichols. Each essay revises the binary notions that have been ascribed to males and females, such as public and private, rational and intuitive, political and domestic, violent and passive. Although they do not deny the existence of separate spheres, the contributors show the boundary between them to be much more blurred than has been assumed until now. |
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75 ページ
... ( Taylor xiv ) . Here , too , we see racial and gender con- cerns intermingled in Taylor's text ; though she participates in the dominant culture , Taylor also participates in a distinct cultural subsection that guides her writing in ...
... ( Taylor xiv ) . Here , too , we see racial and gender con- cerns intermingled in Taylor's text ; though she participates in the dominant culture , Taylor also participates in a distinct cultural subsection that guides her writing in ...
76 ページ
... Taylor to critique her society so thoroughly is the actual and implied presence of war , a construct that destabilizes and radicalizes prevailing social constructs . Before exploring Taylor's textual relationship to Higginson , it is ...
... Taylor to critique her society so thoroughly is the actual and implied presence of war , a construct that destabilizes and radicalizes prevailing social constructs . Before exploring Taylor's textual relationship to Higginson , it is ...
78 ページ
... ( Taylor 32 ) . In contrast , Taylor praises commander Trowbridge extensively , remarking that " We thought there was no one like him , for he was a ' man ' among his soldiers . . . . I shall never forget his friendship and kindness ...
... ( Taylor 32 ) . In contrast , Taylor praises commander Trowbridge extensively , remarking that " We thought there was no one like him , for he was a ' man ' among his soldiers . . . . I shall never forget his friendship and kindness ...
目次
Two RoleReversal Utopias | 18 |
Susan Warners Answer | 29 |
Emily Dickinson Thomas Wentworth | 50 |
著作権 | |
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多く使われている語句
African African-American Aldrich's American Women Writers antebellum argues Atlantic Beecher Bildungsroman body Boston century Christian Civil claims Colored American Crane critics cultural Davis's discourse domestic imperialism Elizabeth Ellen Emerson Emily Dickinson essay Fanny Fern female feminine feminist Feminization Fern's fiction Fleda gender Harriet Beecher Stowe Harriet Prescott Harriet Prescott Spofford heroines Higginson highlights Hopkins's housekeeping husband ideal ideology invasion journalistic labor letters literary literature lives Maggie male marriage Mary Lyndon middle-class moral mother narrative narrator nature Nichols Nichols's nineteenth Nineteenth-Century America nineteenth-century women novel Oakes-Smith Pauline Hopkins Peirce Peirce's physical physicians poem political private-public Queechy race racial reader realism reform role Ruth Hall self-reliance sentimental sentimental literature separate spheres sexual slaves social Spofford Stephen Crane story suggests Susan Taylor theater Thomas Wentworth Higginson tion Uncle Tom's Cabin voice Warner Water-Cure Wide World woman womanhood writing York