Separate Spheres No More: Gender Convergence in American Literature, 1830-1930Although they wrote in the same historical milieu as their male counterparts, women writers of the 19th- and early 20th-centuries have generally been "ghettoized" by critics into a separate canonical sphere. These original essays argue in favor of reconciling male and female writers, both historically and in the context of classroom teaching. While some of the essays pair up female and male authors who write in a similar style or with similar concerns, others address social issues shared by both men and women, including class tensions, economic problems, and the Civil War experience. Rather than privileging particular genres or certain well-known writers, the contributors examine writings ranging from novels and poetry to autobiography, utopian fiction, and essays. And they consider familiar figures like Harriet Beecher Stowe, Emily Dickinson, and Ralph Waldo Emerson alongside such lesser-known writers as Melusina Fay Peirce, Susie King Taylor, and Mary Gove Nichols. Each essay revises the binary notions that have been ascribed to males and females, such as public and private, rational and intuitive, political and domestic, violent and passive. Although they do not deny the existence of separate spheres, the contributors show the boundary between them to be much more blurred than has been assumed until now. |
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Upon its publication in February 1859 , Higginson wrote to his mother of Prescott '
s acceptance and the intrigue surrounding the author ' s identity , smugly
prefiguring Spofford ' s autobiographical story of 1882 , “ Miss Wildrose , ” in
which a ...
Upon its publication in February 1859 , Higginson wrote to his mother of Prescott '
s acceptance and the intrigue surrounding the author ' s identity , smugly
prefiguring Spofford ' s autobiographical story of 1882 , “ Miss Wildrose , ” in
which a ...
59 ページ
St . Armand calls the story “ a florid exercise in posthumous reverie ” ( “ Died "
101 ) and contends that the narrator ' s realization at the story ' s end — that she
has died - undoubtedly inspired Dickinson ' s use of a similar narrative
perspective ...
St . Armand calls the story “ a florid exercise in posthumous reverie ” ( “ Died "
101 ) and contends that the narrator ' s realization at the story ' s end — that she
has died - undoubtedly inspired Dickinson ' s use of a similar narrative
perspective ...
100 ページ
Yet in Davis ' s case , the production of fiction was unsolicited , unmarked as “
story , " and constitutive of her later journalistic analysis of gender and economic
separations . For Life in the Iron Mills , the cityscape was primary and gendered ...
Yet in Davis ' s case , the production of fiction was unsolicited , unmarked as “
story , " and constitutive of her later journalistic analysis of gender and economic
separations . For Life in the Iron Mills , the cityscape was primary and gendered ...
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目次
Susan Warners Answer | 29 |
Emily Dickinson Thomas Wentworth | 50 |
The War of Susie King Taylor | 73 |
著作権 | |
他の 11 セクションは表示されていません
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多く使われている語句
American appears argues authors become body Carrie century character Child Civil claims Colored Common cooperative critics cultural death Dickinson discourse domestic early effect Emerson essay example experience fact feel female feminine feminist fiction figure force gender hand Higginson human husband ideal imperialism influence interest invasion labor later letters literary literature lives look male marriage Mary means moral mother move narrative narrator nature never nineteenth nineteenth-century notes novel Peirce physical poem political position published Queechy race reader reform relations response rhetoric role Ruth seems sense sentimental separate spheres sexual social society space stage story suggests Taylor theater things tion turn voice Wide woman women women writers writing York young
書誌情報
| 書籍名 | Separate Spheres No More: Gender Convergence in American Literature, 1830-1930 |
| 編集者 | Monika Elbert |
| 寄与者 | Lucinda L. Damon-Bach, Cairns Collection of American Women Writers, Katharine Rodier, Karen S. Nulton, Karen E. Waldron, Dawn Keetley, Frederick Newberry, Darby Lewes, Lisette Nadine Gibson, Debra Bernardi, Jennifer Costello Brezina, Mary Louise Kete, Marianne Noble, Denise D. Knight |
| 版 | 2 |
| 出版社 | University of Alabama Press, 2000 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2008年2月28日 |
| ISBN | 0817310363, 9780817310363 |
| ページ数 | 307 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |