Lord Byron's Strength: Romantic Writing and Commercial SocietyJohns Hopkins University Press, 1993 - 426 ページ According to Jerome Christensen, literary histories of British Romanticism have dealt inadequately with Byron's "lordship" - his singularity as a phenomenal literary success and as the last and greatest aristocratic poet in the language. At first, Byron does not want a poetic career. Then, entrapped by his extraordinary success, he gets one. And once Byron has a career, he ruins it - not by his unsavory sexual practices and political grandstanding but by publishing his greatest poem. The first extended study of the career and persona of the most celebrated poet of the nineteenth century, Lord Byron's Strength draws on contemporary literary, political, and social theory not only to revise our understanding of Byron but also to reexamine the romanticism of Coleridge, Wordsworth, Scott, Hazlitt, and Shelley. Christensen argues that the literary system that became "Byronism" was a complicated contrivance engineered by the poet - in collaboration with his publisher, friends, reviewers, and readers - for the greater glory of a United Kingdom triumphant in the war with Napoleon. Wellington may have won on the battlefield, but the real victory for Great Britain would depend on its ability to symbolize itself in a way that would overcome foreign resistance without force of arms - that would turn enemies into consumers. Christensen contends that Byron was the predominant vehicle for that strategy. British commercial society would benefit extravagantly from the international success of Childe Harold and the glamour and appeal of its author. But Byronism was a project that - in Don Juan, his greatest poem - Byron would reject. Lord Byron's Strength is an account of the packaging and sale of Byron, the poet's increasing resistance to the constraints of Byronism, and his eventual break with the commercial society that had made him its symbol. |
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244 ページ
... mark but does not specify whether each man inscribes each piece of paper himself or whether the marks are made and ... mark makes no difference . The mark is merely functional : nothing more than the convenient pretext for identifying a ...
... mark but does not specify whether each man inscribes each piece of paper himself or whether the marks are made and ... mark makes no difference . The mark is merely functional : nothing more than the convenient pretext for identifying a ...
274 ページ
... mark of the veil and the censorship of Elliston attest , however unwittingly , to a textual strength that satirizes theatrical professions of meaning by virtue of an indelibly contingent position . That position is written into the play ...
... mark of the veil and the censorship of Elliston attest , however unwittingly , to a textual strength that satirizes theatrical professions of meaning by virtue of an indelibly contingent position . That position is written into the play ...
361 ページ
... mark well . To mark well is to answer in kind the wholly illegitimate ethical imperative that is the proper citation of Byron's legal name . Every time someone admonishes ( anytime it is admonished ) to mark well , it will be a citation ...
... mark well . To mark well is to answer in kind the wholly illegitimate ethical imperative that is the proper citation of Byron's legal name . Every time someone admonishes ( anytime it is admonished ) to mark well , it will be a citation ...
目次
The Performance of Lordship | 3 |
An English Bard Scotch Reviewers | 32 |
Childe | 49 |
著作権 | |
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多く使われている語句
appears aristocratic become Biographia Literaria blood body British Brougham called Cambridge canto career character Chaworth Childe Harold claim Coleridge commodity Corsair criticism cultural David Hume death degradation despot difference discourse Don Juan duel Edinburgh Review enlightenment equivocal essay ethical Faliero fascination father figure Francis Jeffrey Giaour Greek Gulnare Hazlitt hero Hobhouse Hume identifies imagined imperial J. G. A. Pocock Jean-François Lyotard Jeffrey John John Cam Hobhouse Juan's Julia Lady Byron Langley Moore language Lara letter liberal literary London Lord Byron Lyotard Marino Faliero mark Matthews's metaphor moral Murray Napoleon narrative narrator natural object Oriental parody Pedrillo perverse phrase poem poet poet's poetic poetry political economy Press publisher reader reading represents Review rhetorical Romantic Sardanapalus satire Scott sexual social society speculation stanza strength style Suwarrow thing tion trans truth Univ vols William woman words writing