English odes, selected by E.W. Gosse |
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... 229 XLV . On the Death of the Duke of Wellington . Tennyson . 235 XLVI . To the Unknown Eros • · Patmore 247 XLVII . To Victor Hugo in Exile . Swinburne 251 b IT INTRODUCTION . T is from the triumphal poems of CONTENTS . vii.
... 229 XLV . On the Death of the Duke of Wellington . Tennyson . 235 XLVI . To the Unknown Eros • · Patmore 247 XLVII . To Victor Hugo in Exile . Swinburne 251 b IT INTRODUCTION . T is from the triumphal poems of CONTENTS . vii.
xii ページ
... poems that were only " odes " by critical courtesy . His laxity , not his learning , was imitated by various lyrists of the French decadence down to Boileau , whose " Ode on the Taking of Namur " is a sort of monster of its kind , and ...
... poems that were only " odes " by critical courtesy . His laxity , not his learning , was imitated by various lyrists of the French decadence down to Boileau , whose " Ode on the Taking of Namur " is a sort of monster of its kind , and ...
ix ページ
... poem arranged to be sung to an instrumental accompani- ment . The origin of Greek versification is a subject at- tended with great difficulty and not a little uncertainty , but the consensus of the best scholarship is in favour of a ...
... poem arranged to be sung to an instrumental accompani- ment . The origin of Greek versification is a subject at- tended with great difficulty and not a little uncertainty , but the consensus of the best scholarship is in favour of a ...
x ページ
... ments ; etiquette stepped in and provided the flute alone in hymns to Cybele , and nothing but the majestic phor- minx when Apollo was celebrated . When the poem was to be chanted in a moving procession , the epode X INTRODUCTION .
... ments ; etiquette stepped in and provided the flute alone in hymns to Cybele , and nothing but the majestic phor- minx when Apollo was celebrated . When the poem was to be chanted in a moving procession , the epode X INTRODUCTION .
xi ページ
... poets contented themselves with writing odes , even in Greek , in those simpler Ætolian measures , the form of which Catullus and Horace had clearly taught them . Pindar was recovered , indeed , but recovered in such confusion that it ...
... poets contented themselves with writing odes , even in Greek , in those simpler Ætolian measures , the form of which Catullus and Horace had clearly taught them . Pindar was recovered , indeed , but recovered in such confusion that it ...
多く使われている語句
angel ANNE KILLIGREW antistrophe Bacchus beneath blessed bliss Boileau bower breath bright CHORUS clouds crown curious fools dark death deep delight divine dost doth dreadful dreams e'er ears earth echo ring epode eternal eyes fair fair music fame fate fear fire flowers foes France glory golden goodly grace hand happy harmony hast hath hear heard heart heaven heavenly holy honour Hyades Hymen kings leave les leopards les monceaux light loud lovely band lyre maid melodious mighty mortal mourn Muse Namur ne'er night numbers nymphs o'er pain Pindar pleasure poem poet praise quire round sacred Sambre sighed and looked sing skies sleep soft solemn song soul sound spirit star sung sweet tears thee thine things thou thought throne Timotheus unto vermil verse voice waves winds wings woods may answer woods them answer
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218 ページ - Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too...
183 ページ - Soothing her love-laden Soul in secret hour With music sweet as love, which overflows her bower: Like a glow-worm golden In a dell of dew, Scattering unbeholden Its aerial hue Among the flowers and grass which screen it from the view...
65 ページ - Now strike the golden lyre again ; A louder yet, and yet a louder strain. Break his bands of sleep asunder, And rouse him, like a rattling peal of thunder. Hark, hark, the horrid sound Has raised up his head ; As awaked from the dead, And amazed, he stares around. Revenge, revenge...
185 ページ - We look before and after, And pine for what is not: Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell of saddest thought.
219 ページ - But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose, Or on the rainbow of the salt sand-wave, Or on the wealth of globed peonies ; Or if thy mistress some rich anger shows, Emprison her soft hand, and let her rave, And feed deep, deep upon her peerless eyes.
101 ページ - On a rock, whose haughty brow Frowns o'er old Conway's foaming flood. Robed in the sable garb of woe. With haggard eyes the poet stood; (Loose his beard, and hoary hair Streamed, like a meteor, to the troubled air), And with a master's hand, and prophet's fire, Struck the deep sorrows of his lyre.
207 ページ - My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: "Tis not through envy of thy happy lot, But being too happy in thine happiness, — That thou, light-winged Dryad of the trees, In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease.
22 ページ - This is the month, and this the happy morn Wherein the Son of Heaven's Eternal King Of wedded maid and virgin mother born, Our great redemption from above did bring...
208 ページ - Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan...
67 ページ - At last divine Cecilia came, Inventress of the vocal frame ; The sweet enthusiast, from her sacred store, Enlarg'd the former narrow bounds, And added length to solemn sounds, With nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown ; He raised a mortal to the skies, She drew an angel down.