An Analytical Inquiry Into the Principles of TasteT. Payne, 1806 - 473 ページ |
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... . 1. Organs and Modes of Action . 2. Sound - how conveyed . 3. Its Nature and Causes . 4. Its Effects , Modes , and Degrees of Irritation . 5. Simple and mixed Tones . 6. Connected with mental Sympathies in Animals . 7. In iv CONTENTS .
... . 1. Organs and Modes of Action . 2. Sound - how conveyed . 3. Its Nature and Causes . 4. Its Effects , Modes , and Degrees of Irritation . 5. Simple and mixed Tones . 6. Connected with mental Sympathies in Animals . 7. In iv CONTENTS .
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... Animals . 14. In Buildings , Gardens , Pieces of Water , & c . 15. Neatness . 16. General Principles of visible Beauty . 17. Illustrated by particular Instances . Deceptions of Sight . 18. Mixed Qualities and Sensations - how separated ...
... Animals . 14. In Buildings , Gardens , Pieces of Water , & c . 15. Neatness . 16. General Principles of visible Beauty . 17. Illustrated by particular Instances . Deceptions of Sight . 18. Mixed Qualities and Sensations - how separated ...
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... Animals . Ap- propriated Beauties of particular Kinds , de- pending on Habit . Irregularity . 27. Sexual Predilections - their Influence and Ef- fects . 28. Force of Light - as reflected . 29. As acting directly upon the Eye . Mr ...
... Animals . Ap- propriated Beauties of particular Kinds , de- pending on Habit . Irregularity . 27. Sexual Predilections - their Influence and Ef- fects . 28. Force of Light - as reflected . 29. As acting directly upon the Eye . Mr ...
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... Animals . 45. In the Orders of Architecture . 46. Its Reasons . 47. Its Origin and Progress . 48. Refinement and Excess - opposed to the Gothic Principle of Contrast . 49. Scale by which the Eye measures . 50. Consequent Effects of ...
... Animals . 45. In the Orders of Architecture . 46. Its Reasons . 47. Its Origin and Progress . 48. Refinement and Excess - opposed to the Gothic Principle of Contrast . 49. Scale by which the Eye measures . 50. Consequent Effects of ...
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... Animals , comparatively con- sidered . 60. Power of Imagination . 61. Sensual and Social or Sentimental Love . 62. Metaphysical Love . Petrarch . Cowley . Waller . 63. Pastoral Love in Theocritus , & c . 64. In modern Dramas , & c . 65 ...
... Animals , comparatively con- sidered . 60. Power of Imagination . 61. Sensual and Social or Sentimental Love . 62. Metaphysical Love . Petrarch . Cowley . Waller . 63. Pastoral Love in Theocritus , & c . 64. In modern Dramas , & c . 65 ...
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多く使われている語句
according acquired Æneid afford animals appear applied arise ascer association of ideas become Bernini blime and Pathetic body called cause CHAP character colour consequently degree delight display effect elegance employed equally excite expression faculty feeling felt fræna Georgic gratification Greek habit hearing human Iliad images Imagina imitation impressions improved Perception inquiry instances irregular irritation Judg kind language less light and shadow malè mankind means ment mental sympathies merely metre mind modes nations nature never nevertheless objects observed olfactory nerves organs of sense pain painters painting Paradise Lost passions perceived perfect person picturesque Pindar pleasing pleasure poet poetry polished languages principle produced proportion prosody qualities racter Rembrandt laughed sculpture sensation sensibility sentiments Sight smell smooth sound species style Sublime and Beautiful syllables taste temple of Vesta thing tiful tints tion Titian tone touch turally variety verse visible whence wherefore words СНАР
人気のある引用
357 ページ - Above them all the archangel: but his face Deep scars of thunder had intrench'd; and care Sat on his faded cheek; but under brows .Of dauntless courage, and considerate pride Waiting revenge; cruel his eye, but cast Signs of remorse and passion, to behold The fellows of his crime, the followers rather (Far other once beheld in bliss,) condemn'd For ever now to have their lot in pain...
396 ページ - Commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appear'd Less than Arch-Angel ruin'd, and the excess Of glory obscured...
352 ページ - Be innocent of the knowledge , dearest chuck , Till thou applaud the deed. — Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale!
245 ページ - THAT HE HAD A HEAD TO CONTRIVE, A TONGUE TO PERSUADE, AND A HAND TO EXECUTE ANY MISCHIEF.
395 ページ - Mighty victor, mighty lord, Low on his funeral couch he lies! No pitying heart, no eye, afford A tear to grace his obsequies.
9 ページ - I do not know whether I am singular in my opinion: but for my own part, I would rather look upon a tree in all its luxuriancy and diffusion of boughs and branches, than when it is thus cut and trimmed into a mathematical figure; and can not but fancy, that an orchard in flower looks infinitely more delightful than all the little labyrinths of the most finished parterre.
397 ページ - Looks through the horizontal misty air Shorn of his beams; or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
395 ページ - Give ample room, and verge enough The characters of hell to* trace. Mark the year, and mark the night, When Severn shall re-echo with affright The shrieks of death, thro...
369 ページ - When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances, and with certain modifications, they may be, and they are delightful, as we every day experience.
395 ページ - Fair laughs the Morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes: Youth on the prow, and Pleasure at the helm: Regardless of the sweeping whirlwind's sway, That hush'd in grim repose expects his evening prey.