An Analytical Inquiry Into the Principles of TasteT. Payne, 1806 - 473 ページ |
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... Painters , & c . 28. How far they are really useful to Society . 29. Erroneous Estimates of Life and Manners . 30. Causes of Disgust between the Sexes . 31. The most trivial most effective . 32. In other Objects . Mental Pleasure and ...
... Painters , & c . 28. How far they are really useful to Society . 29. Erroneous Estimates of Life and Manners . 30. Causes of Disgust between the Sexes . 31. The most trivial most effective . 32. In other Objects . Mental Pleasure and ...
65 ページ
... painters imitate them : for , as the imitations of painting extend only to the visible qualities of bodies , they ... painter can employ , capable of expressing the sharpness and brilliancy of those angular re- flections of the collected ...
... painters imitate them : for , as the imitations of painting extend only to the visible qualities of bodies , they ... painter can employ , capable of expressing the sharpness and brilliancy of those angular re- flections of the collected ...
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... painters are re- markable for the fidelity of their imitations , whatever visible qualities existed in the objects must appear in their copies of them : but , in these copies , the mind perceives only the visi- ble qualities ; whereas ...
... painters are re- markable for the fidelity of their imitations , whatever visible qualities existed in the objects must appear in their copies of them : but , in these copies , the mind perceives only the visi- ble qualities ; whereas ...
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... painter , but any impartial and uninformed person might agree with the princess and her poet : but , to the real judge of horned cattle , there can scarcely be a greater deformity . The case is that the poet and the painter are looking ...
... painter , but any impartial and uninformed person might agree with the princess and her poet : but , to the real judge of horned cattle , there can scarcely be a greater deformity . The case is that the poet and the painter are looking ...
86 ページ
... painters delight not only in irregular trees , but irregular buildings , and buildings irregu- larly mixed with trees ; which afford more . varieties of tint , and a more luxuriant play of light and shadow , than any regular combi ...
... painters delight not only in irregular trees , but irregular buildings , and buildings irregu- larly mixed with trees ; which afford more . varieties of tint , and a more luxuriant play of light and shadow , than any regular combi ...
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according acquired Æneid afford animals appear applied arise ascer association of ideas become Bernini blime and Pathetic body called cause CHAP character colour consequently degree delight display effect elegance employed equally excite expression faculty feeling felt fræna Georgic gratification Greek habit hearing human Iliad images Imagina imitation impressions improved Perception inquiry instances irregular irritation Judg kind language less light and shadow malè mankind means ment mental sympathies merely metre mind modes nations nature never nevertheless objects observed olfactory nerves organs of sense pain painters painting Paradise Lost passions perceived perfect person picturesque Pindar pleasing pleasure poet poetry polished languages principle produced proportion prosody qualities racter Rembrandt laughed sculpture sensation sensibility sentiments Sight smell smooth sound species style Sublime and Beautiful syllables taste temple of Vesta thing tiful tints tion Titian tone touch turally variety verse visible whence wherefore words СНАР
人気のある引用
357 ページ - Above them all the archangel: but his face Deep scars of thunder had intrench'd; and care Sat on his faded cheek; but under brows .Of dauntless courage, and considerate pride Waiting revenge; cruel his eye, but cast Signs of remorse and passion, to behold The fellows of his crime, the followers rather (Far other once beheld in bliss,) condemn'd For ever now to have their lot in pain...
396 ページ - Commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appear'd Less than Arch-Angel ruin'd, and the excess Of glory obscured...
352 ページ - Be innocent of the knowledge , dearest chuck , Till thou applaud the deed. — Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale!
245 ページ - THAT HE HAD A HEAD TO CONTRIVE, A TONGUE TO PERSUADE, AND A HAND TO EXECUTE ANY MISCHIEF.
395 ページ - Mighty victor, mighty lord, Low on his funeral couch he lies! No pitying heart, no eye, afford A tear to grace his obsequies.
9 ページ - I do not know whether I am singular in my opinion: but for my own part, I would rather look upon a tree in all its luxuriancy and diffusion of boughs and branches, than when it is thus cut and trimmed into a mathematical figure; and can not but fancy, that an orchard in flower looks infinitely more delightful than all the little labyrinths of the most finished parterre.
397 ページ - Looks through the horizontal misty air Shorn of his beams; or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
395 ページ - Give ample room, and verge enough The characters of hell to* trace. Mark the year, and mark the night, When Severn shall re-echo with affright The shrieks of death, thro...
369 ページ - When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances, and with certain modifications, they may be, and they are delightful, as we every day experience.
395 ページ - Fair laughs the Morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes: Youth on the prow, and Pleasure at the helm: Regardless of the sweeping whirlwind's sway, That hush'd in grim repose expects his evening prey.