Works: In English Verse, 第 3 巻1763 |
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Æneas Æneid againſt Anchifes ancient arms Auguftus beauteous Cæfar Ceres chief circumftance courfers defcent defcribed defcription defign Dido dire divine dreadful Euripides Evander fable facred faid fame fate Faunus fays fecond feems fhade fhall fhews fhield fhining fhore fhould fide fierce fight fire firft firſt flain flames flew flood folemn fome foul ftand ftate ftill ftream fubject fublime fuch fuppofe glorious goddeſs gods golden bough hell hero himſelf Homer honours Iliad initiated Jove juft Jupiter king laft laſt Latian Latium leaſt Livy Mezentius mighty moft moſt muſt myfteries Neptune o'er obferves occafion paffage pafs perfon plain Plato poem poet pow'rs prefent prince race rage rais'd raiſe reafon reprefented rife riſe rites Roman Rome round ſcene Servius ſhall ſhe ſhore ſkies ſky ſpread ſtate Statius Tarchon Tartarus thefe theſe thofe thoſe thou thouſand thro tow'rs Trojan Troy Turnus uſed Virgil whofe youth
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149 ページ - A universe of death ; which God by curse Created evil, for evil only good, Where all life dies, death lives, and nature breeds, Perverse, all monstrous, all prodigious things, Abominable, inutterable, and worse Than fables yet have feign'd, or fear conceiv'd, Gorgons, and Hydras, and Chimeras dire.
287 ページ - He made darkness his secret place, his pavilion round about Him with dark water, and thick clouds to cover Him.
208 ページ - ... and tradition. The poet took the matters of fact as they came down to him, and circumstanced them after his own manner, to make them appear the more natural, agreeable, or surprising.
187 ページ - ... a particular beauty, which I do not know that any one has taken notice of. The list which he has there drawn up was in general to do honour to the Roman name, but more particularly to compliment Augustus. For this reason Anchises, who shows .¿Eneas most of the rest of his descendants in the same order that they were to make their appearance in the world...
184 ページ - Lets in defilement to the inward parts, The soul grows clotted by contagion Imbodies, and imbrutes, till she quite lose The divine property of her first being. Such are those thick and gloomy shadows damp Oft seen in charnel vaults and sepulchres, Lingering and sitting by a new-made grave, As loth to leave the body that it loved, And linked itself by carnal sensualty To a degenerate and degraded state.
259 ページ - Soft is the ftrain when Zephyr gently blows, And the fmooth ftream in fmoother numbers flows ; But when loud furges lafh the founding more, The hoarfe rough verfe mould like the torrent roar.
208 ページ - We find, however, that he has interwoven, in the course of his fable, the principal particulars, which were generally believed among the Romans, of jEneas's voyage and settlement in Italy.
30 ページ - This people, like the rest of mankind, in their descriptions of the other world, used to copy from something they were well acquainted with in this. In their funeral rites, which, as we observed, was...
12 ページ - Orpheus is said to go to hell by the power of his harp: that is, in quality of lawgiver; the harp being the known symbol of his laws, by which he humanized a rude and barbarous people. So again, in the lives of Hercules and Bacchus, we have the true history, and the fable founded on it, blended and recorded together.
232 ページ - The latent tracts, the giddy heights, explore Of all who blindly creep, or sightless soar; Eye Nature's walks, shoot Folly as it flies, And catch the manners living as they rise; Laugh where we must, be candid where we can; But vindicate the ways of God to man.