Lectures on Poetry and General LiteratureRoutledge/Thoemmes Press, 1995 - 394 ページ |
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314 ページ
... figures were adapted ; and presuming that literal writing was not then invented , we conclude that the figures were employed , and placed in a conspicuous situation , to remind the spectators of the sentiment with which they were ...
... figures were adapted ; and presuming that literal writing was not then invented , we conclude that the figures were employed , and placed in a conspicuous situation , to remind the spectators of the sentiment with which they were ...
317 ページ
... figures either to letters or words , but the representation solely of things which , by as- sociation , might be made mnemonical signs of any arbitrary collocation of words , generally expressing ideas of that class to which , by ...
... figures either to letters or words , but the representation solely of things which , by as- sociation , might be made mnemonical signs of any arbitrary collocation of words , generally expressing ideas of that class to which , by ...
319 ページ
... figure or figures corresponding with it in the hiero- glyphic series of the whole ; then , though thousands might be well versed in the general signification of symbols which were in general use , none could under- stand any particular ...
... figure or figures corresponding with it in the hiero- glyphic series of the whole ; then , though thousands might be well versed in the general signification of symbols which were in general use , none could under- stand any particular ...
目次
THE PREEMINENCE OF POETRY AMONG THE FINE ARTS | 1 |
THE FORM OF POETRY | 73 |
THE DICTION OF POETRY | 114 |
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多く使われている語句
admiration Æneid affections amidst ancient beauty blank verse cadence character circumstances colour composition contemporaries death delight diction Dryden earth Egyptians eloquence employed English equally excellence exquisite Faerie Queene fancy feel genius glory grace Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics honour human ideas Iliad images imagination invention Joanna Baillie John Clare kind labours Lamech language latter learning less lines literature living Lord Lord Byron ment metre Milton mind modern moral nations nature never once painting Paradise Lost passage passions peculiar perfect perpetual Pisistratus pleonasm poem poet poetical poetry present prose reader rhyme Robert Burns Roman Saracens scarcely scene sculpture sentiments song soul sound Spenserian stanza spirit splendour stanzas stars strains style sublime syllables taste thee theme things thou thought tion tongue touch truth verse Virgil whole words writing