Lectures on Poetry and General LiteratureRoutledge/Thoemmes Press, 1995 - 394 ページ |
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... latter being differently collocated , and wanting the inimitable cadence of such verse as none but Shakspeare has been able to construct , the charm will be broken , and the pathos subdued , though no mutilation could destroy it . How ...
... latter being differently collocated , and wanting the inimitable cadence of such verse as none but Shakspeare has been able to construct , the charm will be broken , and the pathos subdued , though no mutilation could destroy it . How ...
217 ページ
... latter there are ten or twelve names ( and it would not be easy to add as many more , ) so familiarly associated with the revival and the early progress of letters in Europe , that they instantly recur to recollection when the subject ...
... latter there are ten or twelve names ( and it would not be easy to add as many more , ) so familiarly associated with the revival and the early progress of letters in Europe , that they instantly recur to recollection when the subject ...
363 ページ
... latter , it must have degenerated as much as it had been refined during the earlier interval . But the standard of our tongue having been fixed at an era when it was rich in native idioms , full of pristine vigour , and pliable almost ...
... latter , it must have degenerated as much as it had been refined during the earlier interval . But the standard of our tongue having been fixed at an era when it was rich in native idioms , full of pristine vigour , and pliable almost ...
目次
THE PREEMINENCE OF POETRY AMONG THE FINE ARTS | 1 |
THE FORM OF POETRY | 73 |
THE DICTION OF POETRY | 114 |
著作権 | |
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多く使われている語句
admiration Æneid affections amidst ancient beauty blank verse cadence character circumstances colour composition contemporaries death delight diction Dryden earth Egyptians eloquence employed English equally excellence exquisite Faerie Queene fancy feel genius glory grace Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics honour human ideas Iliad images imagination invention Joanna Baillie John Clare kind labours Lamech language latter learning less lines literature living Lord Lord Byron ment metre Milton mind modern moral nations nature never once painting Paradise Lost passage passions peculiar perfect perpetual Pisistratus pleonasm poem poet poetical poetry present prose reader rhyme Robert Burns Roman Saracens scarcely scene sculpture sentiments song soul sound Spenserian stanza spirit splendour stanzas stars strains style sublime syllables taste thee theme things thou thought tion tongue touch truth verse Virgil whole words writing