Lectures on Poetry and General LiteratureRoutledge/Thoemmes Press, 1995 - 394 ページ |
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... line , but even by a less rigid arrangement of rhymes and clauses , in the fourteen lines of which it is composed . The Spenserian stanza is likewise so finely proportioned , and so artfully implicated , that no single rhyme can be ...
... line , but even by a less rigid arrangement of rhymes and clauses , in the fourteen lines of which it is composed . The Spenserian stanza is likewise so finely proportioned , and so artfully implicated , that no single rhyme can be ...
109 ページ
... lines , interwoven with two of different kinds , of which one echoes to the ending of the first line , and the other must be in consonance with those of the last couplet . It follows , that from the number and remoteness of these ...
... lines , interwoven with two of different kinds , of which one echoes to the ending of the first line , and the other must be in consonance with those of the last couplet . It follows , that from the number and remoteness of these ...
111 ページ
... lines , lines so admir- ably arranged , that the place of each in the tune ( if we may so speak ) can be almost known by the ear , as well as by the correspondence of rhyme , and connec- tion of sentiment . The sonnet , therefore , has ...
... lines , lines so admir- ably arranged , that the place of each in the tune ( if we may so speak ) can be almost known by the ear , as well as by the correspondence of rhyme , and connec- tion of sentiment . The sonnet , therefore , has ...
目次
THE PREEMINENCE OF POETRY AMONG THE FINE ARTS | 1 |
THE FORM OF POETRY | 73 |
THE DICTION OF POETRY | 114 |
著作権 | |
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多く使われている語句
admiration Æneid affections amidst ancient beauty blank verse cadence character circumstances colour composition contemporaries death delight diction Dryden earth Egyptians eloquence employed English equally excellence exquisite Faerie Queene fancy feel genius glory grace Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics honour human ideas Iliad images imagination invention Joanna Baillie John Clare kind labours Lamech language latter learning less lines literature living Lord Lord Byron ment metre Milton mind modern moral nations nature never once painting Paradise Lost passage passions peculiar perfect perpetual Pisistratus pleonasm poem poet poetical poetry present prose reader rhyme Robert Burns Roman Saracens scarcely scene sculpture sentiments song soul sound Spenserian stanza spirit splendour stanzas stars strains style sublime syllables taste thee theme things thou thought tion tongue touch truth verse Virgil whole words writing