It chanced at length, this goodly wight, Elsewhere received a louder call; What though the stipend was a trifle more? The parting Sabbath now arrived, To hate the world, in holy ways be bold, The service o'er, The parish gentry gathered 'round. And dropped their farewell curtsies to the ground. To bid the priest good-bye, In nature's sooty jacket drest, Old Cæsar came-a wag, and mighty sly. Bowing, the stick of ebony began A confab with the gold-despising man: "Ah, how good massa parson do? I hope he find him berry well.” "Well, Cæsar, well; and how do you?" "Ah, massa, Cæsar hardly tell; Dis good long twenty year Wid you he worship here, And now he sorry from your flock you go." I'm sorry, too, That I am forced away; But, then, you know, 't would never do, "Who, massa, who, you say? Massa, how many pound a year Do people pay for preaching here?" "Two hundred." 'Toder place gib any more?" I think they offer four." "Ah, massa, maybe 't is de Lord who call, But, don't you think more loud you let him bawl,— 'Fore you come back from four to two? De Lord he hollo till he dumb Fore massa parson ever come." CLXXXVIII.-FASHIONABLE PIANO MUSIC. I DON'T like your chopped music any way. That woman (she had more sense in her little finger than forty medical societies), Florence Nightingale, says that the music you pour out is good for sick folks, and the music you pound out is n't. Not that exactly, but something like it. I have been to hear some music-pounding. It was a young woman, with as many white muslin flounces round her as the planet Saturn had rings, that did it. She gave the music-stool a twirl or two, and fluffed down on to it like a whirl of soap-suds in a hand-basin. Then she pushed up her cuffs as if she was going to fight for the champion's belt. Then she worked her wrists and her hands, to limber 'em, I suppose, and spread out her fingers till they looked as if they would pretty much cover the key-board, from the growling end to the little squeaky one. Then those two hands of hers made a jump at the keys as if they were a couple of tigers coming down on a flock of black and white sheep, and the piano gave a great howl as if its tail had been trod on. Dead stop, so still you could hear your hair growing. Then another jump, and another howl, as if the piano had two tails and you had trod on both of them at once, and then a grand clatter and scramble and string of jumps, up and down, back and forward, one hand over the other, like a stampede of rats and mice more than like any thing I call music. I like to hear a woman sing, and I like to hear a fiddle sing, but those noises they hammer out of those wood and ivory anvils-do n't talk to me, I know the difference between a bull-frog and a wood-thrush. - Oliver Wendell Holmes. CLXXXIX.-THE GHOST. 'Tis about twenty years since Abel Law, A short, round-favored, merry Old soldier of the Revolutionary War, Was wedded to A most abominable shrew. The temper, sir, of Shakespeare's Catharine Than mine With Lucifer's. Her eyes were like a weasel's; she had a harsh Face, like a cranberry marsh, All spread With spots of white and red; Hair of the color of a wisp of straw, And a disposition like a cross-cut saw. Her brother David was a tall, Good-looking chap, and that was all; He knew, Would be returning from a journey through That stood Below The house some distance, half a mile, or so. With a long taper A wig, nearly as large over As a corn-basket, and a sheet With both ends made to meet Across his breast (The way in which ghosts are always dressed), He took His station near A huge oak-tree, Whence he could overlook The road and see Whatever might appear. It happened that about an hour before, friend Abel Had left the table Of an inn, where he had made a halt, With horse and wagon, To taste a flagon Of malt Liquor, and so forth, which, being done He went on, Caring no more for twenty ghosts, Than if they were so many posts. David was nearly tired of waiting, At length, he heard the careless tones Of his kinsman's voice, And then the noise Of wagon-wheels among the stones. Out, in great confusion, Scraps of old songs made in "the Revolution." His head was full of Bunker Hill and Trenton; And jovially he went on, Scaring the whip-po-wills among the trees "See the Yankees Leave the hill, With baggernetts declining, With looped-down hats And rusty guns, And leather aprons shining. "See the Yankees-Whoa! Why, what is that?^ Said Abel, staring like a cat, As, slowly, on the fearful figure strode Into the middle of the road. "My conscience, what a suit of clothes! Some crazy fellow, I suppose. Hallo! friend, what's your name? by the powers of gin, That's a strange dress to travel in." "Be silent, Abel; for I now have come To read your doom; Then hearken, while your fate I now declare. I am a spirit."-"I suppose you are; But you'll not hurt me, and I'll tell you why: Here is a fact which you can not deny; All spirits must be either good Or bad; that's understood. And be you good or evil, I am sure That I'm secure. |