Per. Pr'ythee spea' ; And so inflict our province.-Yet once more Falseness cannot come from thee, for thou look'st Sit, sir, I will recount it;- For the crown'd truth to dwell in: J'll believe thee, 3ut, see, I am prevented. Enter, from the barge, Lord, MARINA, and a young Lady. A gallant lady. 1.us. She's such, that were I well assur'd she came Can draw him but to answer thee in aught Sir, I will use Be suffer'd to come near him. Come, let us leave her, Mar. No, nor look'd on us. Mur. I am a maid, My ord, that ne'er before invited eyes, [Aside. Per. My fortunes-parentage-good parentage To equal mine!-was it not thus? what say you? Mar. I said, my lord, if you did know my parentage, You would not do me violence. Per. I do think so. I pray you, turn your eyes again upon nie.— You are like something that-What countrywoman? Here of these shores? Mar. No, nor of any shores: Yet I was mortally brought forth and am No other than I appear. Per. I am great with woe, and shall deliver weeping. My dearest wife was like this maid, and such a one My daughter might have been: my queen's square Her stature to an inch; as wand-like straight; [brows; As silver-voic'd; her eyes as jewel-like, And cas'd as richly: in pace another Juno; Who starves the ears she feeds, and makes them hunThe more she gives them speech.—Where do you live? Mar. Where I am but a stranger: from the deck You may discern the place. l'er. Where were you bred? And how achiev'd you these endowments, which You make more rich to owe? [gry, Mar. Should I tell my history, "Twould seem like lies disdain'd in the reporung. And make my senses credit thy relation, To points that seem impossible; for thou look'st Mar. So indeed I did. Per. Report thy parentage. I think thou said'st Thou hadst been toss'd from wrong to injury, And that thou thought'st thy griefs might equal mine, If both were open'd. Mar. Some such thing indeed I said, and said no more but what my thoughts Did warrant me was likely. Per. Tell thy story; If thine consider'd prove the thousandth part At sea? thy mother? Per. I'll hear you more, to the bottom of your story, Mur. You'll scarce believe me; 'twere best I did give o'er. Per. I will believe you by the syllable Of what you shall deliver. Yet, give me leave :-How came you in these parts? where were you bred? Mar. The king, my father, did in Tharsus leave me, Till cruel Cleon, with his wicked wife, Did seek to murder me and having woo'd A villain to attempt it, who having drawn, A crew of pirates came and rescued me; Brought me to Mitylem. But, now good sir, I know not; but Here is the regent, sir, of Mitylene, Lys. Per. O Helicanus, strike me, honour'd sir; And drown me with their sweetness. O, come hither, What is your title? First, sir, I pray, Per. I am Pericles of Tyre: but tell me now [doms, Mar. Is it no more to be your daughter, than The minute I began. I embrace you, sir. O'er, point by point, for yet he seems to doubt, Per. None? The music of the spheres: list, my Marina. Lys. It is not good to cross him; give him way. Do ye not hear? Lus. Music? My lord, I hear Per. Most heavenly music: It nips me unto list'ning, and thick slumber Lus. A pillow for his head; [He sleeps. [The curtain before the pavilion of PERICLES is closed. I'll well remember you. SCENE II.-The same PERICLES on the deck asleep; DIANA appearing to him as in a vision. upon Dia. My temple stands in Ephesus; hie thee thither, Reveal how thou at sea didst lose thy wife: [DIANA disappears. Per. Celestial Dian, goddess argentine, I will obey thee !-Helicanus! Ente LYSIKACHUS, Helicanus, and MARINA. Enter GowER, before the temple of DIANA at Ephesus More a little, and then done. This, as my last boon, give me, (For such kindness must relieve me,) What pageantry, what feats, what shows, To greet the king. So he has thriv'd. Our king, and all his company. [Ext. SCENE III.-The Temple of Diana at Ephesus; At sea in childbed died she, but brought forth [Exeunt LYSIMAchus, Helicanus, Marina, He sought to murder: but her better stars and attendant Lady. Brought her to Mitylene; against whose shore I threw her o'erboard with these very arms. Cer. Look to the lady ;-O, she's but o'erjoy'd. Early, one blust'ring morn, this lady was Thrown on this shore. I op'd the coffin, and Thai. Lord Cerimon, my lord; this man Per. Reverend sir, The gods can have no mortal officer Cer. I will, my lord. Beseech you, first go with me to my house, Found there rich jewels; recover'd her, and plac'd her How she came placed here within the temple; May we see them? Per. No needful thing omitted. Per. Pure Diana! I bless thee for thy vision, and will offer Thai. Lord Cerimon hath letters of good credit, Per. Heavens make a star of him! Yet there, my Gow. In Antioch, and his daughter, you have heard A figure of truth, of faith, of loyalty: To a former edition of this play were subjoined two Disser-cribed to him by several dramatic writers. I wish not to rely tations: one written by Mr. Steevens, the other by me. In the latter I urged such arguments as then appeared to me to have weight, to prove that it was the entire work of Shakspeare, and one of his earliest compositions. Mr. Steevens on the other hand maintained, that it was originally the production of some elder playwright, and afterwards improved by our poet, whose hand was acknowledged to be visible in many scenes throughout the play. On a review of the various arguments which each of as produced in favour of his own hypothesis, I am now convinced that the theory of Mr. Steevens was right, and have no difficulty in acknowledging my own to be erroneous. This play was entered on the Stationers books, together with Antony and Cleopatra, in the year 1608, by Edward Blount, a bookseller of eminence, and one of the publishers of the first folio edition of Shakspeare's works. It was printed with his name in the title-page, in his life time: but this circumstance proves nothing, because, by the knavery of booksellers, other pieces were also ascribed to him in his life-time, of which he indubitably wrote not a line. Nor is it necessary to urge, in Support of its genuineness, that at a subsequent period it was as on any circumstance of that kind; because, in all questions of this nature, interual evidence is the best that can be produced, and, to every person intimately acquainted with our poet's writ ings, must in the present case be decisive. The congenial sentiments, the numerous expressions bearing a striking similitude to passages in his undisputed plays, some of the incidents, the situation of many of the persons, and in various places the colour of the style, all these combine to set the seal of Shakspeare on the play before us, and furnish us with internal and irresistible proofs, that a considerable portion of this piece, as it now appears, was written by him. The greater part of the last three acts may, I think, on this ground be safely ascribed to him; and his hand may be traced occasionally in the other two divi sions. lo alter, new-model, and improve the unsuccessful dramas of preceding writers, was, I believe, much more common in the time of Shakspeare than is generally supposed. This piece hav ing been thus new-modelled by our poet, and enriched with many happy strokes from his pen, is unquestionably entitled to that place among his works, which it has now obtained.-MALONE. THIS tragedy was entered in the books of the Stationers' ComPany, Nov. 26, 1607, and is there mentioned as having been played the preceding Christmas before his majesty, at Whitehall It must have been written after 1603, as Shakspeare has borrowed several fanstastic names of spirits, mentioned. this play, from Harsnett's Declaration of Popish Impostors, which was published that year. King Lear was not printed till 1008. There was an old play on the same subject, which had been in possession of the stage for many years before the production of Suakspeare's tragedy; but from which our author has co PERSONS REPRESENTED. LEAR, King of Britain. KING OF FRANCE, DUKE OF BURGUNDY. DUKE OF CORNWALL. DUKE OF ALBANY. EARL OF KENT. EARL OF GLOSTER. EDGAR, son to Gloster. EDMUND, bastard son to Gloster. CURAN, a courtier. Old Man, tenant to Gloster. OSWALD, steward to Goneril. GONERIL, REGAN, CORDELIA, daughters to Lear. ACT I. SCENE I.-A Room of State in King Lear's Palace. Enter KENT, GLOSTER, and EDMUND. Kent. I thought, the king had more affected the duke of Albany, than Cornwall. Glo. It did always seem so to us: but now, in the division of the kingdom, it appears not which of the dukes he values most; for equalities are so weigh'd, that curiosity in neither can make choice of either's moiety. Kent. Is not this your son, my lord? Glo. His breeding, sir, hath been at my charge: I have so often blush'd to acknowledge him, that now I am brazed to it. Kent. I cannot conceive you. Glo. Sir, this young fellow's mother could: whereupon she grew round-wombed; and had, indeed, sir, a son for her cradle, ere she had a husband for her bed. Do you smell a fault? Kent. I cannot wish the fault undone, the issue of it being so proper. Glo. But I have sir, a son by order of law, some year elder than this, who yet is no dearer in my account: though this knave came somewhat saucily into the world before he was sent for, yet was his mother fair; there was good sport at his making, and the whoreson must be acknowledged.-Do you know this noble gentleman, Edmund? Edm. No, my lord. pied one passage only. The story of King Lear and his thres Daughters, is found in Holinshed's Chronicle; and was ori ginally told by Geoffry of Monmouth, who says that Lear was the eldest son of Bladud, and "nobly governed his country for sixty years." According to that historian, he died about 800 years before Christ. Shakspeare has taken the hint for the behaviour of the steward, and the reply of Cordel a to her father concerning her future marriage, from the Mirror of Magistrates,1587. According to Steevens. the episode of Gles ter and his sons is borrowed from Sidney's Arcadia. Enter LEAR, CORNWALL, ALBANY, GONERIL, REGAN, CORDELIA, and Attendants. Lear. Attend the lords of France and Burgundy, Gloster. Glo. I shall, my liege. [Exit GLOSTER & EDMUND. Lear. Mean-time we shall express our darker purpose. [vided, Give me the map there.-Know, that we have diIn three, our kingdom: and 'tis our fast intent To shake all cares and business from our age; Conferring them on younger strengths, while we Unburden'd crawl toward death. Our son of CornAnd you, our no less loving sor of Albany, [wall We have this hour a constant will to publish Our daughters' several dowers, that future strife May be prevented now. The princes, France and BurGreat rivals in our youngest daughter's love, [gundy, Long in our court have made their amorous sojourn, And here are to be answer'd.- Tell me, my daughters, (Since now we will divest us, both of rule, Interest of territory, cares of state,) Which of you, shall we say, doth love us most! That we our largest bounty may extend Where merit doth most challenge it.—Goneril, Our eldest-born, speak first. Gon. Sir, I Do love you more than words can wield the matter, Cor. What shall Cordelia do? Love, and be silent [Aside Lear. Of all these bounds, even from this line to this, With shadowy forests and with champains rich'd, Reg. I am made of that self metal as my sister, Which the most precious square of sense possesses. And find, I am alone felicitate In your dear highness' love. Cor. Then poor Cordelia ! [Aside. And yet not so; since, I am sure, my love's More richer than my tongue. Lear. To thee, and thine, hereditary ever, Than that confirm'd on Goneril.-Now, our joy, Cor. Nothing. Lear. Nothing can come of nothing: speak again. Lear. But goes this with thy heart? |Lov'd as my father, as my master follow'd, As my great patron thought on in my prayers,Lear. The bow is bent and drawn, make from the shaft. Kent. Let it fall rather, though the fork invade The region of my heart: be Kent unmannerly, When Lear is mad. What would'st thou do, old man? Think'st thou, that duty shall have dread to speak, When power to flattery bows? To plainness honour's bound, Lear. When majesty stoops to folly. Reverse thy doom; Now, hy Apollo, king, Thou swear'st thy gods in vain. Lear. O, vassal! miscreant ' [Laying his hand on his sword. Alb. Corn. Dear sir, forbear. Kill thy physician, and the fee bestow Ay, good my lord. I'll tell thee thou dost evil. Lear. So young, and so untender? Cor. So young, my lord, and true. Lear. Let it be so,-Thy truth then be thy dower: Since thou hast sought to make us break our vow, For, by the sacred radiance of the sun; From whom we do exist, and cease to be; Hold thee, from this, for ever.—The barbarous Scy- Good my liege, Lear. Peace, Kent! Come not between the dragon and his wrath: I lov'd her most, and thought to set my rest On her kind nursery.-Hence, and avoid my sight! So be my grave my peace, as here I give [To ČOR. Her father's heart from her!-Call France;-Who Call Burgundy.-Cornwall, and Albany, [stirs? With my two daughters' dowers digest this third: Let pride, which she calls plainness, marry her. I do invest you jointly with my power, Pre-eminence, and all the large effects That troop with majesty.-Ourself, by monthly With reservation of an hundred knights, By you to be sustain'd, shall our abode [course, Make with you by due turns. Only we still retain Revenue, execution of the rest, Beloved sons, be yours: which to confirm, (Which we durst never yet,) and, with strain'd pride, [appear, Kent. Fare thee well, king; since thus thou wilt Freedom lives hence, and banishment is here.The gods to their dear shelter take thee, maid, [To CORDELIA. That justly think'st, and hast most rightly said!— And your large speeches may your deeds approve, [To REGAN and GONERIL. That good effects may spring from words of love.— Thus Kent, O princes, bids you all adieu; He'll shape his old course in a country new. [Exit. Re-enter GLOSTER: with FRANCE, Burgundy, and Attendants. Glo. Here's France and Burgundy, my noble lord. We first address towards you, who with this king Bur. Most royal majesty, I crave no more than hath your highness offer'd, Nor will you tender less. Lear. Right noble Burgundy, When she was dear to us, we did hold her so; |