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Total Theatre
-imples assault upon spectators mindand senses
- speech' movement are no interrelated that vocal pat matches visual
"artain momemento, shakespeare knows when words have done their work.
- Shakespeare's alignals to actors are riehlprecie.
- but actors alerwed freedom
evroence for improvisation in frequent opportunities for clerining

(Festeri TN IVN 100-2
-Sturg movements (although turefully prepared by Shake, are left to

dramatist.
- - heat scenes Shakes balanceo oportunity for improvisatiow wlregedly

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SEQUENCE O IMAGINATIDE, EMOTIONAL, INTELLECTUAL TUO's due to canned

sequence of scenes: continuity contrast of seenes scoccupied w/ sequence of contrasts in styles, pace, volume of sound,

sunguet (pol. w Idomeone). - Jokespear's poetry-eeste

- mes gestures instinctively to bring to life his stage.

T-C
acutño te aicy doco not treng cemedy
“ no kynou uve but lust.
-"amicul sahre [line Johnson's everyman out of his human

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