Shakespeare's Tragic Sequence
Psychology Press, 2005 - 207 ページ
First published in 1972.
The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. The plays are almost always concerned with one person; they end with the death of the hero; the suffering and calamity that befall him are exceptional; and the tragedies include the medieval idea of the reversal of fortune.
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Antony and Cleopatra
IO Timon of Athens
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action Antony appears argued asks assume audience become beginning believe Brutus Caesar calls Cassio cause character Claudius Cleopatra committed concerned confesses conscience continued contrast Cordelia Coriolanus critics death Desdemona devil effect Elizabethan evil expressed eyes fact father fear feeling final followed friends Ghost give gods guilt Hamlet hand hath heart heaven hero Horatio human Iago idea imagery images imagination interpretation justice kill King Lear Lady Laertes later Lear's less lines live look Macbeth means mentioned merely mind moral mother motive murder nature never noble Ophelia Othello passion play poor present Professor realise reason refers regarded revealed revenge Richard says scene seems seen Shakespeare soliloquy soul speaks speech spirit stage story suggested tells thee thing thou thought Timon tragedy tragic true truth turn villain virtue wife wish