Speaking ShakespeareMethuen, 2002 - 355 ページ This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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... audience . As you walk out to begin , you must physically carry authority but not bluff . Bluff could patronise and alienate the audience - tomatoes could be thrown . You centre , breathe and wait until the audience settles . When there ...
... audience . As you walk out to begin , you must physically carry authority but not bluff . Bluff could patronise and alienate the audience - tomatoes could be thrown . You centre , breathe and wait until the audience settles . When there ...
108 ページ
... audience . The audience might be able to hear and under- stand every word , feel the drive of the iambic in the verse - but unless the actor is holding the energy of each thought , the audience won't know what's going on . Holding that ...
... audience . The audience might be able to hear and under- stand every word , feel the drive of the iambic in the verse - but unless the actor is holding the energy of each thought , the audience won't know what's going on . Holding that ...
221 ページ
... audience and have it listen in Second - and it's very hard for an audience to be in Second if it is being addressed in First or Third . You can lose the audience if you don't risk being in Second . This does not mean that the actor has ...
... audience and have it listen in Second - and it's very hard for an audience to be in Second if it is being addressed in First or Third . You can lose the audience if you don't risk being in Second . This does not mean that the actor has ...
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多く使われている語句
actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word