Speaking ShakespeareMethuen, 2002 - 355 ページ This text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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... heart- beat or even a broken heart . So too a shift from prose to verse , or vice versa , is dramatic , the equivalent of moving from dialogue to song in a musical or from jazz into Bach . - In all great plays the structures of the ...
... heart- beat or even a broken heart . So too a shift from prose to verse , or vice versa , is dramatic , the equivalent of moving from dialogue to song in a musical or from jazz into Bach . - In all great plays the structures of the ...
59 ページ
... heart , shorter ones close it down . Paulina : Woe the while ! O , cut my lace , lest my heart , cracking it , Break too ! ( The Winter's Tale , III.ii ) - The first set of vowels - ' Woe the while / O ' - opens up the feeling . Then ...
... heart , shorter ones close it down . Paulina : Woe the while ! O , cut my lace , lest my heart , cracking it , Break too ! ( The Winter's Tale , III.ii ) - The first set of vowels - ' Woe the while / O ' - opens up the feeling . Then ...
178 ページ
... heart , for I must hold my tongue . ( I.ii ) The naturally articulate prince is struggling throughout this whole ... heart of his pain - his mother in bed with his uncle : then Hamlet's heart breaks . That it should so seems inevitable ...
... heart , for I must hold my tongue . ( I.ii ) The naturally articulate prince is struggling throughout this whole ... heart of his pain - his mother in bed with his uncle : then Hamlet's heart breaks . That it should so seems inevitable ...
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actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word