Then faining penitence and feare, She did invite a parley: "Sir Knight, if you'll forgive me heare, 160 "False maid, thou canst no more deceive; 165 I scorn the treacherous bait-a; If thou would'st have me thee believe, Now open me the gate-a." "The bridge is drawn, the gate is barr'd; My father he has the keys, sir; 170 But I have for my love prepar'd But strait he came tripping over : The plank was saw'd, it snapping broke, 180 XVI. Why so Pale? From Sir John Suckling's Poems. This sprightly knight was born in 1613, and cut off by a fever about the 29th year of his age.-See above, Song ix. of this book. WHY SO pale and wan, fond lover? Prethee why so pale? Will, when looking well can't move her, Looking ill prevail? Prethee why so pale ? 5 Why so dull and mute, young sinner? Will, when speaking well can't win her, Prethee why so mute ? Quit, quit for shame; this will not move, This cannot take her; If of herself she will not love, Nothing can make her. The devil take her! 10 15 XVII. Old Tom of Bedlam. MAD SONG THE FIRST. It is worth attention, that the English have more songs and ballads on the subject of madness, than any of their neighbours. Whether there be any truth in the insinuation, that we are more liable to this calamity than other nations, or that our native gloominess hath peculiarly recommended subjects of this cast to our writers, we certainly do not find the same in the printed collections of French, Italian songs, &c. Out of a much larger quantity, we have selected half a dozen MAD SONGS for these volumes. The three first are original in their respective kinds the merit of the three last is chiefly that of imitation. They were written at considerable intervals of time; but we have here grouped them together, that the reader may the better examine their comparative merits. He may consider them as so many trials of skill in a peculiar subject, as the contest of so many rivals to shoot in the bow of Ulysses. The two first were probably written about the beginning of the last century; the third about the middle of it; the fourth and sixth towards the end; and the fifth within the eighteenth century. This is given from the Editor's folio MS. compared with two or three old printed copies.-With regard to the author of this old rhapsody, in Walton's Complete Angler, cap. 3, is a song in praise of angling, which the author says was made at his request "by Mr. William Basse, one that has made the choice songs of the Hunter in his Career, and of Tom of Bedlam, and many others of note," p. 84.-See Sir John Hawkins's curious edition, 8vo, of that excellent old book. FORTH from my sad and darksome cell, Feares and cares oppresse my soule; Through the world I wander night and day In 5 10 Come, Vulcan, with tools and with tackles, 25 Last night I heard the dog-star bark, Mars with his weapon laid about, Eates powder'd beef, turnip and carret ; 55 Will fire the bushe at his backe. XVIII. The Distracted Puritan, MAD SONG THE SECOND, was written about the begining of the seventeenth century by the witty Bishop Corbet, and is printed from the third edition of his Poems, 12mo, 1672, compared with a more ancient copy in the Editor's folio MS. Aм I mad, O noble Festus, When zeal and godly knowledge Have put me in hope To deal with the Pope As well as the best in the college? Boldly I preach, hate a cross, hate a surplice, 5 Of the beast's ten horns (God bless us !) 25 I have knock'd off three already; If they let me alone I'll leave him none; But they say I am too heady. Boldly I preach, &c. When I sack'd the seven-hill'd city I met the great red dragon; I kept him aloof With the armour of proof, Though here I have never a rag on. With a fiery sword and target, 30 1 Emanuel College, Cambridge, was originally a seminary of Puritans. |