ByronRoutledge and Kegan Paul, 1972 - 200 ページ |
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... voice in which the narrator and digresser speaks from beginning to end . This is a voice that defines him sharply and leaves him in sole com- mand of the poem ; and it is surely the voice of Byron himself as we know it in his letters ...
... voice in which the narrator and digresser speaks from beginning to end . This is a voice that defines him sharply and leaves him in sole com- mand of the poem ; and it is surely the voice of Byron himself as we know it in his letters ...
114 ページ
... voice that delivers these digressions is the voice of the spirited and versatile talker already described . The cheerful irreverence of Byron's distinction between three kinds of love contrasts with his melancholy gravity in the passage ...
... voice that delivers these digressions is the voice of the spirited and versatile talker already described . The cheerful irreverence of Byron's distinction between three kinds of love contrasts with his melancholy gravity in the passage ...
115 ページ
... voice helps to project upon our minds a clear image of the man who speaks to us throughout the digressions , despite their extraordinary variety in subject - matter . He is a man whose youth is behind him and who has developed into a ...
... voice helps to project upon our minds a clear image of the man who speaks to us throughout the digressions , despite their extraordinary variety in subject - matter . He is a man whose youth is behind him and who has developed into a ...
目次
George Gordon Lord Byron | 26 |
Byrons Prose | 48 |
Heroes and Rhetoric 181218 | 70 |
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adventure Alfonso aristocratic Beppo Byronic hero Cain cant Canto characters Childe Harold's Pilgrimage comic contrasts Corsair critics death described Detached Thoughts detestation Diary digressions Don Juan dramatic earlier England English Bards epic expression eyes feel feminine rhyme French Revolution Frere George George III Giaour Greek Gulbeyaz Haidée heaven Hobhouse human humorous husband Italian Italy J. G. Lockhart Juan's Julia King Lady Letters and Journals literary living London Lord Byron lover Lucifer Manfred mind Moore moral Murray Napoleon narrator nature never o'er octave stanza ottava rima passage poem poet poetical poetry political praise prose readers rhymes Robert Southey Romantic sardonic Satan satire Scotch Reviewers seems sentimental Shelley social soul Southey Southey's speech spirit stanza story Suwarrow things tion Tory Turkish twas utterances verse VIII Vision of Judgment voice Wat Tyler Whig Whistlecraft Wilkes writing wrote young