Francis BaconOxford University Press, 1979 - 192 ページ |
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... ambiguity , or with a leaving - open of some fundamental question about human affairs . People sometimes think , for instance , that he must like Goya , because Goya dealt so often with extreme situations of horror and cruelty . But the ...
... ambiguity , or with a leaving - open of some fundamental question about human affairs . People sometimes think , for instance , that he must like Goya , because Goya dealt so often with extreme situations of horror and cruelty . But the ...
144 ページ
... ambiguity so finely balanced and so complete that the commentator is baulked from the very beginning . Bacon emphasizes this by employing ambiguities of the picture - language , equally . Those curious metal - like linear structures ...
... ambiguity so finely balanced and so complete that the commentator is baulked from the very beginning . Bacon emphasizes this by employing ambiguities of the picture - language , equally . Those curious metal - like linear structures ...
152 ページ
... ambiguity . What is the ambition of that outstretched and Michelangelesque leg ? Is it to turn the key a second time , or is it to open the door ? In a century when so large a part of mankind has dreaded to hear the key turn in the lock ...
... ambiguity . What is the ambition of that outstretched and Michelangelesque leg ? Is it to turn the key a second time , or is it to open the door ? In a century when so large a part of mankind has dreaded to hear the key turn in the lock ...
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ambiguity artists Bacon began Bacon's painting Battleship Potemkin beauty behaviour Berlin called camera canvas century colour complete context Crucifixion David Sylvester Degas distortions Duchamp's earlier Ehrenzweig's element European feel Figure Study film formal Francis Bacon gamble George Dyer Gogh grand happens Henrietta Moraes Human Body human figure human head idea instance instinct Isabel Rawsthorne kind late later living London look Lucian Freud Lying Figure matter Michel Leiris mirror Muriel Belcher Muybridge Muybridge's nature never notion Nude painter parallel Paris pastel photographs Picasso picture point of fact Pope Pope Innocent X Portrait of George Portrait of Lucian portraiture Private collection remember Roy de Maistre sculptural Seated Figure seems Self-portrait sense single image sitter someone sort strange Street Study for Portrait subject-matter Tate Gallery thing Three Studies triptych turn unconscious scanning Velazquez's Portrait Vertical thinking violence York