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" ... wig with the scorched foretop, the dirty hands, the nails bitten and pared to the quick. We see the eyes and mouth moving with convulsive twitches; we see the heavy form rolling; we hear it puffing; and then comes the " Why, sir ! "
The Edinburgh Review: Or Critical Journal - 24 ページ
1831
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Parallel Universal History: Being an Outline of the History and Biography of ...

Philip Alexander Prince - 1838 - 702 ページ
...gray wig with the scorched foretop; the diny hands, with the nails bitten and pared to the quick. \Ve see the eyes and mouth moving with convulsive twitches...it puffing; and then comes the 'Why, sir ?' and the ' \Vhat then, sir?' and the ' No, sir!' and the ' You don't see your way llnough the question, sir!'...

Containing modern history, to the outbreak of the French Revolution

Philip Alexander Prince - 1843 - 776 ページ
...the black worsted stockings, the gray wig with the scorched foretop ; the dirty hands, with the nails bitten and pared to the quick. We see the eyes and mouth moving with convulsive twitches ; we sec the heavy form rolling ; we hear it puffing ; and then comes the ' Why, sir '(' and the ' What...

Essays, Critical and Miscellaneous

Thomas Babington Macaulay Baron Macaulay - 1846 - 782 ページ
...coat, the black worsted stockings, the gray wig with a scorched foretop; the dirty hands, the nails l into the hands of the Mahrattas, and was put to death, at the instigation probably of sirt" and the "No, sir!" and the "You dont see your way through the question, sir !" What a singular...

The London Anecdotes for All Readers ...

Charles Maybury Archer - 1848 - 292 ページ
...scorched foretop ; the dirty hands, the nails bitten and pared to the quick. We see the eyes and nose moving with convulsive twitches ; we see the heavy..." You don't see your way through the question, sir !" DR. CHALMERS'S INDUSTRY. IN October, 1841, Dr. Chalmers commenced two series of biblical compositions,...

The Companion: After-dinner Table-talk

Robert Conger Pell - 1850 - 196 ページ
...scorched foretop ; the dirty hands, the nails bitten and pared to the quick. "We see the eyes and nose moving with convulsive twitches ; we see the heavy..."You don't see your way through the question, sir !" — Macaulay. INVITATION TO DINNER. The following, one of the latest unpublished productions of...

The Modern British Essayists: Macaulay, T.B. Essays

1852 - 780 ページ
...gray wig with a scorched foretop ; the dirty hands, the nails bitten and pared to the quick. We »ee the eyes and mouth moving with convulsive twitches;..."No, sir !" and the " You dont see your way through (he question, sir !" What a singular destiny has been that of this remarkable man! To be regarded in...

Essays, Critical and Miscellaneous

Thomas Babington Macaulay Baron Macaulay - 1852 - 764 ページ
...the black worsted stockings, the gray wig with a scorched furetop ; the dirty hands, the nails binen and pared to the quick. We see the eyes and mouth...the heavy form rolling; we hear it puffing; and then conies the "Why, sir!" and the "What then, sirt" and the "No, sir !" and the "You dont see your way...

Lights and Shadows of Artist Life and Character

James Smith - 1853 - 448 ページ
...scorched foretop ; the dirty hands, the nails bitten and pared to the quick. We see the eyes and nose moving with convulsive twitches ; we see the heavy...' You don't see your way through the question, sir ! ' " Among living artists and authors, the bond of friendship continues to exist as strongly, as between...

Table-talk on Books, Men, and Manners

Robert Conger Pell - 1853 - 252 ページ
...scorched foretop ; the dirty hands, the nails bitten and pared to the quick. We see the eyes and nose moving with convulsive twitches ; we see the heavy form rolling ; we hear it purring ; and then comes the "Why, sir?" and the "What then, sir?" and the " No, sir !" and the " You...

Essays, Critical and Miscellaneous

Thomas Babington Macaulay Baron Macaulay - 1856 - 770 ページ
...coat, the black worsted stockings, the gray wig with a scorched foretop ; the dirty hands, the nails bitten and pared to the quick. We see the eyes and mouth moving with convulsive twitches; we s«e the heavy form rolling; we hear it puffing; and then comes the "Why, lir!" and the "What then,...




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