Refiguring Mimesis: Representation in Early Modern LiteratureJonathan Holmes, Adrian Streete University of Hertfordshire Press, 2005 - 221 ページ Focusing squarely on the strength of mimesis as a philosophical idea, this collection of essays considers aspects of mimesis ranging from Shakespeare to colonialism. As the philosophical agenda of major thinkers and writers responds to representational crises like post-structuralism and postmodernism, attention is turning away from artistic expressivity and back towards uses of mimesis. The nine included essays present a varied set of theoretical ideas and challenge the ingrained concept that mimesis is only a transparent reflection of reality. This fresh assessment of an ancient and much-cited practice brings new attention to the ways in which the early modern period made use of such representation. |
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actors Andrew Gurr antimasque argues aristocratic audience Auerbach Brutus Calvin Cambridge University Press character Cinna classical contemporary context critical culture death discourse divine Dollimore Donne Donne's drama Duke early modern Elizabethan English essay example father genre glass Hamlet Ibid iconoclastic identity ideology imitation Indian theatre Jacques Derrida John John Donne Jonathan Jonathan Dollimore Jonson Julius Caesar King Lacoue-Labarthe literary literature London Marathi masque masque's meaning metaphor mimesis mimetic mirror Moll Neo-Platonic Oxford performance Philippe Lacoue-Labarthe philosophical Plato Platonicus play poem poet poetic poetry political popular precisely Publius radical reality reference reflection Renaissance representation revenge revenge tragedy Revenger's Tragedy Richard Richard II Roaring Girl role Routledge scene sense sermon Shakespeare signifying social Sohmer songs speech stage Stephen Orgel textual theatrical theory tion tradition trans truth Typography Vindice Vindice's viol Weimann Western William Shakespeare words writing