A Book of Elizabethan LyricsFelix Emmanuel Schelling Ginn, 1895 - 327 ページ |
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iii ページ
... seem to be times when the interpreter may well perform his services before the shrines of the oracles and translate - so far as translation is possible- the inspired language of " the literature of power , " as De Quincey calls it ...
... seem to be times when the interpreter may well perform his services before the shrines of the oracles and translate - so far as translation is possible- the inspired language of " the literature of power , " as De Quincey calls it ...
xiii ページ
... seems to have been considerable , and which was based very largely upon a happy lyrical vein and a ready metrical facility . Gascoigne died two years later , and few of his poetical contemporaries long survived him , if we except ...
... seems to have been considerable , and which was based very largely upon a happy lyrical vein and a ready metrical facility . Gascoigne died two years later , and few of his poetical contemporaries long survived him , if we except ...
xxii ページ
... seems worthy of attention , while by no means explaining everything . " Donne was , I would venture to suggest , by far the most modern and con- temporaneous of the writers of his time . He arrived " 1 772 at an excess of actuality of ...
... seems worthy of attention , while by no means explaining everything . " Donne was , I would venture to suggest , by far the most modern and con- temporaneous of the writers of his time . He arrived " 1 772 at an excess of actuality of ...
xxiii ページ
... seems to me that no one , excepting Shakespeare , with Sidney , Gre- ville , and Jonson in lesser measure , has done so much to develop intellectualized emotion in the Elizabethan lyric as John Donne . But Donne is the last poet to ...
... seems to me that no one , excepting Shakespeare , with Sidney , Gre- ville , and Jonson in lesser measure , has done so much to develop intellectualized emotion in the Elizabethan lyric as John Donne . But Donne is the last poet to ...
xxiv ページ
... seem that the Drayton of later years should have continued well skilled in the lighter lyrical touch . It would be difficult to find a more perfect union of artistic feeling with fervent passion than is contained in " I pray thee leave ...
... seem that the Drayton of later years should have continued well skilled in the lighter lyrical touch . It would be difficult to find a more perfect union of artistic feeling with fervent passion than is contained in " I pray thee leave ...
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Astrophel and Stella Beaumont beauty BEN JONSON birds bliss breast Breton bright Bullen Campion couplet Daniel death delight desire Dirge Donne doth Drayton Drummond earth edition Elizabethan Elizabethan lyric England's Helicon English eyes fair fear Fleay Fletcher flowers Francis Beaumont GEORGE GASCOIGNE golden grace Gram green grief Grosart hath heart heaven honor Italian Jonson kiss lady literature live Love's lovers Lyrics from Elizabethan lyrists madrigal Mailing price metre metrical Michael Drayton mistress Muse never NICHOLAS BRETON night passion pastoral Philip Rosseter Phyllis play pleasure poem poetry poets pretty Professor prose quatorzain Queen rimes SAMUEL DANIEL sense Shakespeare shepherd Sidney sighs sing sleep Song Books sonnet sorrow soul Spenser stanza tercets thee Thomas THOMAS CAMPION THOMAS LODGE thou art thought trochaic unto verse wanton weep whilst WILLIAM WILLIAM SHAKESPEARE words writing written ΙΟ
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71 ページ - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O, no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.
138 ページ - Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell : Hark! now I hear them, — ding-dong, bell.
70 ページ - No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world, with vilest worms to dwell : Nay, if you read this line, remember not The hand that writ it ; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe.
117 ページ - I'll not look for wine. The thirst that from the soul doth rise Doth ask a drink divine; But might I of Jove's nectar sup, I would not change for thine. I sent thee late a rosy wreath, Not so much honouring thee As giving it a hope that there It could not withered be; But thou thereon didst only breathe And sent'st it back to me; Since when it grows, and smells, I swear, Not of itself but thee!
112 ページ - He is dead and gone, lady, He is dead and gone, At his head a grass-green turf, At his heels a stone.
42 ページ - With coral clasps and amber studs: And if these pleasures may thee move, Come live with me and be my love.
106 ページ - ... mistress mine, where are you roaming ? O, stay and hear; your true love's coming, That can sing both high and low: Trip no further, pretty sweeting; Journeys end in lovers meeting, Every wise man's son doth know.
117 ページ - Take, oh take those lips away, That so sweetly were forsworn ; And those eyes, the break of day, Lights that do mislead the morn : But my kisses bring again, , bring again, ' . -' Seals of love, but seal'd in vain.
68 ページ - When, in disgrace with Fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate. Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope.
131 ページ - Fear no more the frown o' the great, Thou art past the tyrant's stroke; Care no more to clothe and eat; To thee the reed is as the oak: The sceptre, learning, physic, must All follow this, and come to dust.