Sound for Film and TelevisionFocal Press, 2002 - 285 ページ Sound for Film and Television, Second Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science, as no other text has before. This edition includes new information on digital techniques as they have arisen in the industry, and expanded coverage of sound editing and design. Written by one of Hollywood's leading sound experts, Sound for Film and Television, Second Edition provides a solid grounding in all aspects of the sound process. Basic principles are presented with illustrations demonstrating how they affect the day-to-day activities on a film or television set, in the editing room, and in the mix room. |
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acoustics actors amplitude analog audible called camera cassette channels clapperboard compact cassette companding console dB SPL decibels dialog digital audio digital audio workstation direct sound distortion Dolby Dolby SR dubbing dynamic range editing equalization equipment film and television filmmaking filter Foley formats frame frequency range frequency response head headroom hearing high-frequency input loud loudspeaker machines magnetic field match medium micro microphone mike mixer monaural multitrack multitrack recorder noise reduction output picture playback post production premixes print masters problem production sound production sound mixer quency reel reference level reverberation sample rate scene shot signal sine wave slate SMPTE SMPTE time code sound editor sound effects sound field sound pressure level sound recording sound system speed stereo studio sync synchronization tape recording telecine theater tion tone transfer typically usually videotape voltage VU meter waveform