She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker. Ethics and the Subject - 228 ページ 編集 - 1997 - 286 ページ限定表示 - この書籍について
| United States Armed Forces Institute - 1942 - 742 ページ
...She measured to the hour its solitude. She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had, became the self That was her song, for she was maker. Then we, As we beheld her striding there alone, Knew that there never was a world for her Except... | |
| Richard Gray - 1976 - 292 ページ
...measured to the hour its solitude. 35 She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had,...maker. Then we, As we beheld her striding there alone, 40 Knew that there never was a world for her Except the one she sang and, singing, made. Ramon Fernandez,... | |
| Richard M. Dorson - 1986 - 614 ページ
...She measured to the hour its solitude. She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker.4 The Adamic self as artificer can create in either of two ways: one, as William Carlos Williams... | |
| Richard H. Brodhead - 1990 - 267 ページ
...(this describes Maggie's power exactly): She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had,...the self That was her song, for she was the maker. 42 While we have been describing it as a difference between two books, it is hard not to feel that... | |
| James S. Hans - 1990 - 182 ページ
...the sea and made it something it isn't, but then that is what humans do to things with no meaning: And when she sang, the sea Whatever self it had, became...the self That was her song, for she was the maker. (v) But surely the sea no more has a "self" than a stone does, so in conferring a self upon it, and... | |
| Edwin Harrison Cady, Louis J. Budd - 1991 - 276 ページ
...feeling. The key lines in the poem are these: She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had,...the self That was her song, for she was the maker. (CP, p. 129; italics added) In the activity of the singer, self and sea become one reality. Her song... | |
| Judith Shulman, Amalia Mesa-Bains - 1993 - 134 ページ
...of Amparo's need gave Amp voice and gave her the opportunity to create and to know that . . . . . . when she sang, the sea Whatever self it had, became...the self That was her song, for she was the maker. Wallace Stevens willing to leam, I am a model for my students, and then they are willing to learn.... | |
| Deirdre N. McCloskey - 1994 - 468 ページ
...West to a woman singing on the beach: She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had,...the self That was her song, for she was the maker . . . Ramon Fernandez, tell me, if you know, Why, when the singing ended and we turned Toward the town,... | |
| Charles Doyle - 1997 - 528 ページ
...by endowing it with a perceptual form: She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had,...the self That was her song, for she was the maker . . . In 'Three Travellers Watch a Sunrise,' a play printed in Opus Posthumous, one of the voices says:... | |
| David Norman Loader - 1997 - 198 ページ
...1996, 18, 25. The Cinderella Principal She was the single artificier of the world In which she sang. And when she sang, the sea. Whatever self it had....the self That was her song, for she was the maker. (Wallace Stevens, The Idea of Order At Key West) Until a few centuries ago, the 'self was not even... | |
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